HomeVaraha PuranaAdhyaya 125Shloka 142
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Varaha Purana 125.142: Adhyaya 125, Shloka 142

The Cycle of Māyā

Illusory Causation and Perceptual Reversal

न तत्र किंचिज्जानामि किमिदं किं प्रवर्त्तते ॥ निषादीगर्भसम्भूतस्तव पत्न्यभवं ततः

Sanskrit recitationVaraha Purana 125.142

na tatra kiṁcij jānāmi kim idaṁ kiṁ pravarttate || niṣādīgarbhasambhūtas tava patny abhavaṁ tataḥ

ที่นั่นข้าพเจ้าไม่รู้อะไรเลย—นี่คืออะไร เกิดอะไรขึ้น? แล้วต่อมาข้าพเจ้าเกิดจากครรภ์ของหญิงนิษาทิ และได้เป็นภรรยาของท่าน

not
:
Pratishedha (प्रतिषेध)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेध-अव्यय
तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb: there)
किञ्चित्anything
किञ्चित्:
Karma (कर्म)
TypeNoun
Rootकिञ्चित् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया एकवचन; अनिश्चितार्थक (anything)
जानामिI know
जानामि:
Kriya (क्रिया)
TypeVerb
Rootज्ञा (धातु)
Formलट्, उत्तमपुरुष, एकवचन, परस्मैपद
किम्what?
किम्:
Karma (कर्म)
TypeNoun
Rootकिम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया एकवचन; प्रश्नवाचक (what?)
इदम्this
इदम्:
Karta (कर्ता)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया एकवचन; निर्देश (this)
किम्what?
किम्:
Karma (कर्म)
TypeNoun
Rootकिम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया एकवचन; प्रश्न (what?)
प्रवर्ततेis happening/continues
प्रवर्तते:
Kriya (क्रिया)
TypeVerb
Rootप्र√वृत् (धातु)
Formलट्, प्रथमपुरुष, एकवचन, आत्मनेपद
निषादीगर्भसम्भूतःborn from a Niṣādī’s womb
निषादीगर्भसम्भूतः:
Visheshana (विशेषण)
TypeAdjective
Rootनिषादी + गर्भ + सम्भूत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन; सप्तमी/षष्ठी-तत्पुरुष-समासः (निषाद्याः गर्भे सम्भूतः = born from the womb of a Niṣādī woman)
तवyour
तव:
Sambandha (सम्बन्ध)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी एकवचन (your)
पत्नीwife
पत्नी:
Karta (कर्ता)
TypeNoun
Rootपत्नी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा एकवचन
अभवम्I became
अभवम्:
Kriya (क्रिया)
TypeVerb
Rootभू (धातु)
Formलङ् (अनद्यतनभूत/Imperfect), उत्तमपुरुष, एकवचन, परस्मैपद
ततःthen/thereafter
ततः:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अनन्तरार्थक (then/thereafter)

Ṛṣi (narrating personal transformation experience)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Māyā is shown as total identity-reconstruction: memory, social location, and relational status can be re-scripted, revealing the contingency of ego and worldly roles.","vedantic_connection":"Ahaṅkāra and upādhi: the ‘self’ identified with body/social markers is mutable; the witnessing self is obscured when māyā fully operates."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"māyā as experiential delusion","core_concept":"Without discernment, one can be swept into narratives that feel absolute; māyā can overwrite even ‘who I am’.","practical_application":"Cultivate steady self-inquiry and remembrance (smaraṇa) during life-changes; treat roles/status as provisional and avoid pride or contempt based on birth/identity."}

Subject Matter: ["Māyā and altered perception","Identity transformation","Narrative causality","Social descriptors"]

Primary Rasa: Adbhuta

Secondary Rasa: Karuṇa

Type: liminal ritual space

Related Themes: Varāha Purāṇa 125.142 (return to prior state after bathing)

Visual Art Cues: {"scene_description":"A bewildered narrator in a transformed life-scene: he finds himself in a Niṣādī woman’s birth-context and then as ‘your wife,’ conveying the shock of a rewritten identity.","item_prompts":["confused facial expression","domestic scene indicating new social role","contrast motif (sage’s ascetic items faintly absent/ghosted)","narrative disjunction (dreamlike background)"],"kerala_mural_prompt":"Kerala mural: dreamlike domestic tableau with strong expressions; muted veil-like overlays to signal māyā; emphasis on psychological bewilderment.","tanjore_prompt":"Tanjore: symbolic rather than literal—central figure with split-scene panels (before/after) framed in gold; māyā as patterned backdrop.","mysore_prompt":"Mysore: subtle, emotive portraiture; soft interior setting; gentle surreal cues (floating veil, blurred edges).","pahari_prompt":"Pahari: narrative vignette with delicate interiors; emphasis on storytelling and the sudden turn of fate; pastel haze for māyā."}

Audio Atmosphere: {"recitation_mood":"unsettled-wondrous","suggested_raga":"Todi","pace":"medium-fast","voice_tone":"breathless, bewildered, then heavy with consequence"}

C
Classical Literature
P
Purāṇic Narrative
P
Philosophy (Māyā)
C
Cultural Anthropology (textual)

FAQs

It illustrates how Purāṇic narratives depict māyā as experiential disorientation and radical change, often to convey limits of ordinary cognition.

No new place-name appears in this verse; it continues the experiential account following the tīrtha instruction.

The verse underscores epistemic humility: in extraordinary circumstances, one may not grasp what is occurring, emphasizing human cognitive limits.

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