Previous Verse
Next Verse

Varaha Purana 114.8: Adhyaya 114, Shloka 8

The Varāha Incarnation and Pṛthivī’s Inquiries on Ritual Procedure and Devotional Outcomes

नगा विलग्नाः पतिताः केचिद्विज्ञानसंश्रिताः ॥ शोभन्ते च विचित्राङ्गमेघाः सन्ध्यागमे यथा ॥

Sanskrit recitationVaraha Purana 114.8

nagā vilagnāḥ patitāḥ kecid vijñānasaṃśritāḥ || śobhante ca vicitrāṅgameghāḥ sandhyāgame yathā ||

ภูเขาบางส่วนเกาะติดอยู่ บางส่วนร่วงหล่น; ล้วนปรากฏงดงาม—ดุจเมฆหลากรูปเมื่อยามสนธยามาถึง—ขณะทรงยกแผ่นดินขึ้น

nagāḥmountains
nagāḥ:
Karta (कर्ता)
TypeNoun
Rootnaga (प्रातिपदिक)
FormPuṃliṅga (masculine), Prathamā vibhakti (1st/प्रथमा), Bahuvacana (plural)
vilagnāḥclinging/attached
vilagnāḥ:
Karta (कर्ता)
TypeVerb
Rootvi-√lag (धातु)
FormKta-participle (क्त, past passive participle) used adjectivally; Puṃliṅga, Prathamā, Bahuvacana; ‘stuck/attached’
patitāḥfallen
patitāḥ:
Karta (कर्ता)
TypeVerb
Root√pat (धातु)
FormKta-participle (क्त); Puṃliṅga, Prathamā, Bahuvacana; ‘fallen’
kecitsome (of them)
kecit:
Karta (कर्ता)
TypeNoun
Rootkim (प्रातिपदिक/सर्वनाम)
FormSarvanāma (pronoun), Puṃliṅga, Prathamā, Bahuvacana; indeclinable-like form meaning ‘some’
vijñāna-saṃśritāḥresting upon (his) wisdom/skill
vijñāna-saṃśritāḥ:
Karta (कर्ता)
TypeAdjective
Rootvijñāna (प्रातिपदिक) + saṃ-√śri (धातु)
FormSamāsa: vijñāna-saṃśrita = ‘resting on/attached to knowledge’; kta-participle from saṃ-√śri; Puṃliṅga, Prathamā, Bahuvacana
śobhantethey shine/appear beautiful
śobhante:
Kriyā (क्रिया)
TypeVerb
Root√śubh (धातु)
FormLaṭ lakāra (लट्, present), Prathama puruṣa (3rd), Bahuvacana; ātmanepada
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormSamuccaya-nipāta (conjunction)
vicitra-aṅga-meghāḥvariegated clouds
vicitra-aṅga-meghāḥ:
Karta (कर्ता)
TypeNoun
Rootvicitra (प्रातिपदिक) + aṅga (प्रातिपदिक) + megha (प्रातिपदिक)
FormSamāsa: vicitrāṅga-megha = ‘clouds with variegated limbs/parts’ (descriptive); Puṃliṅga, Prathamā, Bahuvacana
sandhyā-gameat twilight’s arrival
sandhyā-game:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootsandhyā (प्रातिपदिक) + gama (प्रातिपदिक)
FormSamāsa: sandhyā-gama = ‘coming of twilight’; Puṃliṅga/napuṃsaka usage; Saptamī vibhakti (7th/सप्तमी), Ekavacana; locative of time
yathāas/like
yathā:
Upamāna-marker (उपमान-सूचक)
TypeIndeclinable
Rootyathā (अव्यय)
FormUpamā-avyaya (comparative indeclinable)

Narrator (implicit Purāṇic voice)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Earth is being lifted; mountains cling to her body and some slip/fall as she rises from the waters/mire."}

Bhu Devi Dialogue: {"is_dialogue":false,"bhu_devi_state":"in-transition (being raised), partially burdened by clinging mountains yet moving toward relief"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The re-stabilization of bhū-maṇḍala: as Varāha raises Earth, her ‘ornaments’ (mountains) re-seat themselves, suggesting cosmic order (ṛta) returning after pralaya-like submergence.","yajna_varaha_imagery":"Mountains appear like twilight-clouds: a liminal ‘sandhyā’ image for the transition from chaos to ordered creation; Earth’s features re-emerge as if re-manifested from the cosmic waters.","vedantic_connection":"Implied līlā of Īśvara restoring nāma-rūpa; the ‘sandhyā’ metaphor hints at cyclical time where dissolution and manifestation alternate without affecting the imperishable ground."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmological-ethical","core_concept":"Order returns through divine support; the world’s stability is contingent on sustaining power beyond it.","practical_application":"Cultivate reverence for Earth’s ‘supports’ (mountains, ecosystems) as sacred structures; read nature’s forms as reminders of cosmic dependence."}

Subject Matter: ["Poetics","Ecological Narratives","Geography"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: cosmic-geographic tableau

Related Themes: Varāha-kalpa uplift sequence in this chapter-unit (114); Nearby verses describing mire (kardama) and Earth’s emergence

Visual Art Cues: {"scene_description":"Earth rising; mountain ranges cling to her surface while some crumble and fall, all appearing like variegated twilight clouds against a dim, liminal sky.","item_prompts":["uplifted Earth mass","mountain ridges clinging","falling rock fragments","twilight gradient sky","cloud-like silhouettes","cosmic waters below"],"kerala_mural_prompt":"Kerala mural style: broad, stylized landscape bands; twilight palette; mountains rendered as decorative cloud-forms; cosmic waters with rhythmic wave motifs.","tanjore_prompt":"Tanjore style: central uplifted Earth with embossed mountain ornaments; twilight background; use gold highlights on mountain edges to suggest ‘splendour’.","mysore_prompt":"Mysore style: delicate shading for sandhyā sky; fine-line mountains with subtle fall debris; calm cosmic atmosphere.","pahari_prompt":"Pahari style: layered hills like cloud-banks; soft dusk tones; miniature-like falling stones; expansive negative space for the cosmic waters."}

Audio Atmosphere: {"recitation_mood":"wonder-filled, descriptive","suggested_raga":"Pūrvi","pace":"medium","voice_tone":"softly expansive, painting the simile with clear articulation"}

C
Classical Literature
S
Sanskrit Poetics
A
Ancient Geography
P
Puranic Cosmology

FAQs

It demonstrates Purāṇic aesthetic description (upamā/simile) used to narrate cosmic events, valuable for literary history.

No named location; the verse depicts mountains in a generalized cosmic scene.

No direct instruction is stated; the verse primarily offers a descriptive, observational portrayal of natural forms.

Ask anything about this verse

Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.

Not sure where to start?

A free sign-in with Google or Apple keeps your chat saved across web and the app.

Read Varaha Purana in the Vedapath app

Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.

Continue reading in the Vedapath app

Open in App