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Skanda Purana — Prabhasa Khanda, Shloka 20

ब्रह्मचर्येण जागर्त्ति स पापैः संप्रमुच्यते । होमजाप्यसमाधिस्थो नृत्यगीतादिवादनैः

brahmacaryeṇa jāgartti sa pāpaiḥ saṃpramucyate | homajāpyasamādhistho nṛtyagītādivādanaiḥ

เมื่อรักษาพรหมจรรย์แล้วทำการตื่นเฝ้า (ชาครณ) เขาย่อมหลุดพ้นจากบาปทั้งปวงโดยสิ้นเชิง ตั้งมั่นในโหมะ ชปะ และสมาธิ—และด้วยการถวายรำ ฟ้อน ขับร้อง และบรรเลงดนตรีด้วยภักติ—ย่อมบรรลุผลแห่งความชำระบริสุทธิ์

brahmacaryeṇaby celibacy/continence
brahmacaryeṇa:
Karaṇa (Instrument/करण)
TypeNoun
Rootbrahmacarya (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd), एकवचन; तत्पुरुषसमासः (brahman + carya) — instrumental singular
jāgarttikeeps vigil, stays awake
jāgartti:
Kriyā (Action/क्रिया)
TypeVerb
Root√jāgar (धातु)
Formलट् (वर्तमान), प्रथमपुरुष, एकवचन; परस्मैपद — present indicative, 3rd sg
saḥhe
saḥ:
Karta (Subject/कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग, प्रथमा (1st), एकवचन — nominative singular
pāpaiḥfrom sins
pāpaiḥ:
Apādāna (Separation/अपादान)
TypeNoun
Rootpāpa (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd), बहुवचन — instrumental plural
saṃpramucyateis completely freed
saṃpramucyate:
Kriyā (Action/क्रिया)
TypeVerb
Root√muc (धातु) + sam-pra (उपसर्ग)
Formलट् (वर्तमान), प्रथमपुरुष, एकवचन; आत्मनेपद; कर्मणि प्रयोग — present passive, 3rd sg
homahoma
homa:
Upapada (Compound member/समासाङ्ग)
TypeNoun
Roothoma (प्रातिपदिक)
Formपुंलिङ्ग, प्रातिपदिक; समासपूर्वपद — ‘oblation/ritual offering’
jāpyajapa/recitation
jāpya:
Upapada (Compound member/समासाङ्ग)
TypeNoun
Rootjāpya (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रातिपदिक; समासपूर्वपद — ‘muttering/recitation (japa)’
samādhisamādhi
samādhi:
Upapada (Compound member/समासाङ्ग)
TypeNoun
Rootsamādhi (प्रातिपदिक)
Formपुंलिङ्ग, प्रातिपदिक; समासपूर्वपद — ‘meditative absorption’
sthaḥbeing engaged in
sthaḥ:
Karta (Subject/कर्ता)
TypeAdjective
Root√sthā (धातु) + stha (कृदन्त)
Formकृदन्त (क्तिन्/प्रत्ययान्त ‘stha’), पुंलिङ्ग, प्रथमा (1st), एकवचन; ‘homa-jāpya-samādhi-sthaḥ’ इति तत्पुरुषसमासः — ‘being engaged in’
nṛtyadance
nṛtya:
Upapada (Compound member/समासाङ्ग)
TypeNoun
Rootnṛtya (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रातिपदिक; समासपूर्वपद — ‘dance’
gītasong
gīta:
Upapada (Compound member/समासाङ्ग)
TypeNoun
Rootgīta (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रातिपदिक; समासपूर्वपद — ‘song’
ādiand the like
ādi:
Kriyāviśeṣaṇa (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootādi (प्रातिपदिक/अव्ययवत्)
Formअव्यय; ‘etc.’ अर्थे — indicates inclusion of similar items
vādanaiḥby instrumental music/playing
vādanaiḥ:
Karaṇa (Instrument/करण)
TypeNoun
Rootvādana (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd), बहुवचन — instrumental plural

Sūta (Lomaharṣaṇa) (deduced from Prabhāsa Māhātmya narrative style)

Tirtha: Ikṣvākvīśvara (Prabhāsa)

Type: kshetra

Scene: A Śiva night festival: devotees keep vigil with lamps; some sit in meditation near a homa fire; others sing and play vīṇā/mṛdaṅga while dancers perform as offering before the liṅga; all under a vow of brahmacarya.

I
Ikṣvākvīśvara/Vṛṣabheśa Liṅga (context)
B
Brahmacarya
H
Homa
J
Japa
S
Samādhi

FAQs

Purity of conduct (brahmacarya) combined with devotional vigil and worship-practices is depicted as a powerful means of purification.

The Liṅga-sanctuary within Prabhāsakṣetra, where vigil, worship, and devotional arts are performed.

Jāgaraṇa (night vigil) with brahmacarya, along with homa, japa, samādhi, and devotional dance/song/instrumental worship.