स मणिः सवते नित्यं भारानष्टौ दिनेदिने सुवर्णस्य सुशुद्धस्य भक्त्या व्रततपोयुतः
sa maṇiḥ savate nityaṃ bhārānaṣṭau dinedine suvarṇasya suśuddhasya bhaktyā vratatapoyutaḥ
แก้วมณีนั้นบันดาลทองคำบริสุทธิ์ยิ่ง วันแล้ววันเล่า เป็นนิตย์ถึงแปดภาระ—เป็นผลแห่งผู้ประกอบด้วยภักติ วรต และตบะ
Īśvara (Śiva)
Tirtha: Nāgarāditya (contextual validation through Syamantaka)
Type: kshetra
Listener: Mahādevī (Pārvatī)
Scene: The Syamantaka jewel placed on a pedestal emits rays; heaps of pure gold appear daily (eight bhāras), while Satrājit stands in reverence, indicating the causal triad: bhakti, vrata, tapas.
Prosperity is framed as a secondary outcome of devotion and disciplined dharma, not as an end in itself.
The verse continues the Prabhāsa/Nāgarāditya-linked narrative by describing the Syamantaka boon; the tīrtha context remains Prabhāsakṣetra Māhātmya.
Implicitly extols bhakti combined with vrata and tapas as the qualifying discipline for divine favor.