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Skanda Purana — Nagara Khanda, Shloka 5

तुलसी शुष्ककाष्ठेषु या रूपा विश्वव्यापिनी । मज्जायां पद्मवासा च त्वचासु च हरिप्रिया

tulasī śuṣkakāṣṭheṣu yā rūpā viśvavyāpinī | majjāyāṃ padmavāsā ca tvacāsu ca haripriyā

ทุลสีองค์นั้น—ผู้มีรูปแผ่ซ่านทั่วสากล—สถิตแม้ในเนื้อไม้ที่แห้ง. ในแก่นในเป็นปัทมวาสา (พระลักษมี) และในเปลือกนอกเป็นหริปรียา ผู้เป็นที่รักของพระหริ.

तुलसीTulasi
तुलसी:
Karta (Subject/कर्ता)
TypeNoun
Rootतुलसी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
शुष्ककाष्ठेषुin dry pieces of wood
शुष्ककाष्ठेषु:
Adhikarana (Locus/अधिकरण)
TypeNoun
Rootशुष्क-काष्ठ (प्रातिपदिक)
Formशुष्क + काष्ठ (कर्मधारयः ‘dry wood’); नपुंसकलिङ्ग, सप्तमी-विभक्ति, बहुवचन
याwho/which
या:
Karta (Subject/कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन (relative pronoun)
रूपाform
रूपा:
Karta (Subject/कर्ता)
TypeNoun
Rootरूप (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
विश्वव्यापिनीall-pervading
विश्वव्यापिनी:
Visheshana (Adjective/विशेषण)
TypeAdjective
Rootविश्व-व्यापिनी (प्रातिपदिक)
Formविश्व + व्यापिनी (व्याप्-धातु से शतृ/णिनि-प्रत्ययान्त ‘pervading’); तत्पुरुषः; स्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
मज्जायाम्in the marrow/pith
मज्जायाम्:
Adhikarana (Locus/अधिकरण)
TypeNoun
Rootमज्जा (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति, एकवचन
पद्मवासाdwelling in the lotus
पद्मवासा:
Karta (Subject/कर्ता)
TypeAdjective
Rootपद्म-वासा (प्रातिपदिक)
Formपद्म + वासा (उपपद-तत्पुरुषः ‘lotus-dwelling’); स्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक निपात (conjunction)
त्वचासुin the bark/skins
त्वचासु:
Adhikarana (Locus/अधिकरण)
TypeNoun
Rootत्वचा (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति, बहुवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक निपात (conjunction)
हरिप्रियाdear to Hari
हरिप्रिया:
Karta (Subject/कर्ता)
TypeAdjective
Rootहरि-प्रिया (प्रातिपदिक)
Formहरि + प्रिया (षष्ठी-तत्पुरुषः ‘dear to Hari’); स्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन

Skanda (deduced: Nāgarakhaṇḍa Tīrthamāhātmya narrative voice commonly attributes didactic praise to Skanda)

Type: kshetra

Scene: A cross-section vision of Tulasi: dried wood still glowing; pith revealed as a lotus-seat (Padmavāsā), bark as Haripriyā; the plant shown as cosmic, subtly filling the universe behind it.

T
Tulasī
L
Lakṣmī (Padmavāsā)
H
Hari (Viṣṇu)

FAQs

Tulasī is portrayed as intrinsically sacred in every part—wood, pith, and bark—making her constant reverence a direct form of devotion to Lakṣmī and Hari.

The verse functions as a Tīrthamāhātmya-style glorification of Tulasī herself rather than naming a single geographic tīrtha in this line.

No explicit ritual is prescribed here; it establishes the sanctity of Tulasī’s very substance as the basis for later practices (carrying, worship, service).