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Skanda Purana — Kashi Khanda, Shloka 75

वसंते निवसंती सा वने बालाचलंमनः । चक्रे तपस्यपि श्रुत्वा कोकिला काकलीरवम्

vasaṃte nivasaṃtī sā vane bālācalaṃmanaḥ | cakre tapasyapi śrutvā kokilā kākalīravam

ครั้นอยู่ในพนาวันยามวสันตฤดู ใจของนางกุมารีก็หวั่นไหว; ถึงกระนั้น แม้ได้ยินเสียงหวานของนกโกกิละ นางก็ยังทรงดำรงตบะมิได้ขาด

वसन्तेin spring
वसन्ते:
Adhikarana (Locative/अधिकरण)
TypeNoun
Rootवसन्त (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; कालवाचक-सप्तमी (locative of time)
निवसन्तीdwelling, residing
निवसन्ती:
Karta (Subject/कर्ता)
TypeVerb
Rootनि√वस् (धातु) + शतृ (कृदन्त)
Formवर्तमानकाले शतृ-प्रत्ययान्त कृदन्त (present active participle); स्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
साshe
सा:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; सर्वनाम
वनेin the forest
वने:
Adhikarana (Locative/अधिकरण)
TypeNoun
Rootवन (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन
बालाचलमनः(her) child-like unsteady mind
बालाचलमनः:
Karta (Subject/कर्ता)
TypeNoun
Rootबाल + अचल + मनस् (प्रातिपदिकानि)
Formसमासः (तत्पुरुषः); नपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; ‘बालस्य अचलम् मनः’ इति (mind unsteady like a child)
चक्रेdid, performed
चक्रे:
Kriya (Action/क्रिया)
TypeVerb
Root√कृ (धातु)
Formलिट् (Perfect/परोक्शभूत), प्रथमपुरुष (3rd), एकवचन; आत्मनेपद
तपस्यausterity, penance
तपस्य:
Karma (Object/कर्म)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; कर्मपद
अपिalso, even
अपि:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय; निपात (particle)
श्रुत्वाhaving heard
श्रुत्वा:
Purvakala-kriya (Prior action/पूर्वक्रिया)
TypeVerb
Root√श्रु (धातु) + त्वा (क्त्वा)
Formक्त्वान्त अव्ययकृदन्त (gerund/absolutive); पूर्वकालिक क्रिया
कोकिलाthe cuckoo
कोकिला:
Karta (Subject/कर्ता)
TypeNoun
Rootकोकिल (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
काकलीरवम्the sweet cooing sound
काकलीरवम्:
Karma (Object/कर्म)
TypeNoun
Rootकाकली + रव (प्रातिपदिके)
Formसमासः (तत्पुरुषः); पुंलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन

Skanda (deduced, Kāśīkhaṇḍa narrative voice)

Scene: A young ascetic maiden in a forest hermitage during spring; flowering trees, gentle breeze, and a cuckoo singing, while she remains seated in tapas with unwavering posture.

D
Dhūtapāpā
F
forest (vana)
C
cuckoo (kokilā)

FAQs

Even when the senses are stirred by seasonal beauty, steadfast tapas (discipline) should not be abandoned.

The broader Kāśīkhaṇḍa milieu (Kāśī’s sacred field) frames the narrative, though this verse itself focuses on the forest-austerity setting.

No explicit rite is prescribed here; the emphasis is on continuing tapas despite sensory distraction.