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Skanda Purana — Kashi Khanda, Shloka 40

इत्यादि नाममालाभिः संस्तुवन्वनमालिनम् । स्वच्छंदलीलया गायन्नृत्यंश्च परया मुदा

ityādi nāmamālābhiḥ saṃstuvanvanamālinam | svacchaṃdalīlayā gāyannṛtyaṃśca parayā mudā

ดังนี้ เขาสรรเสริญพระผู้ทรงพวงมาลัยป่า ด้วยพวงมาลัยแห่งพระนามทั้งหลาย แล้วขับร้องและร่ายรำตามลีลาอิสระ ด้วยความปีติยินดีอันยิ่ง

इतिthus
इति:
Sambandha (Particle/निपात)
TypeIndeclinable
Rootइति (अव्यय)
Formउक्त्यर्थक-अव्यय (quotative particle)
आदिand so on
आदि:
Sambandha (Modifier/सम्बन्ध)
TypeIndeclinable
Rootआदि (प्रातिपदिक/अव्ययवत्)
Formसमासान्त/प्रकारवाचक-अव्यय (etc.)
नामname
नाम:
Sambandha (Relation within compound/सम्बन्ध)
TypeNoun
Rootनामन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन (समासाङ्ग)
मालाभिःwith garlands (strings)
मालाभिः:
Karana (Instrument/करण)
TypeNoun
Rootमाला (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन
संस्तुवन्praising
संस्तुवन्:
Karta (Agent/कर्ता)
TypeVerb
Rootस्तु (धातु) + सम्- (उपसर्ग) → संस्तुवत् (कृदन्त, शतृ/Present participle)
Formपुंलिङ्ग, प्रथमा, एकवचन; वर्तमानकाले कर्तरि शतृ-प्रत्ययः
वनमालिनम्the one wearing a forest-garland
वनमालिनम्:
Karman (Object/कर्म)
TypeNoun
Rootवन (प्रातिपदिक) + मालिन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; 'वनमालां धारयति' इति
स्वच्छन्दfree; at will
स्वच्छन्द:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootस्व (प्रातिपदिक) + छन्द (प्रातिपदिक)
Formअव्ययवत्-विशेषण (समासाङ्ग) — 'स्वेच्छया'
लीलयाby play; sportively
लीलया:
Karana (Instrument/करण)
TypeNoun
Rootलीला (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, एकवचन
गायन्singing
गायन्:
Karta (Agent/कर्ता)
TypeVerb
Rootगै (धातु) → गायन् (कृदन्त, शतृ/Present participle)
Formपुंलिङ्ग, प्रथमा, एकवचन; वर्तमानकाले कर्तरि
नृत्यन्dancing
नृत्यन्:
Karta (Agent/कर्ता)
TypeVerb
Rootनृत् (धातु) → नृत्यन् (कृदन्त, शतृ/Present participle)
Formपुंलिङ्ग, प्रथमा, एकवचन; वर्तमानकाले कर्तरि
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-निपात (conjunction)
परयाsupreme; great
परया:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootपरा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, एकवचन; 'परया' = 'अत्यन्तया'
मुदाwith joy
मुदा:
Karana (Instrument/करण)
TypeNoun
Rootमुद्/मुदा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, एकवचन

Narrator within Kāśīkhaṇḍa (deduced: Skanda narrating to Agastya)

Tirtha: Kāśī (Viśveśvara-kṣetra)

Type: kshetra

Scene: A devotee praises the Garlanded Lord with a cascade of divine names, then breaks into singing and dance—unrestrained yet sacred—radiating joy; attendants/devotees form a small kīrtana circle.

V
Vanamālin (Viṣṇu/Kṛṣṇa)

FAQs

Devotion naturally flowers into joyful praise—nāma-stuti can culminate in kīrtana and dance as an offering of the whole self.

The Kāśīkhaṇḍa context points to Kāśī; the verse describes devotional behavior within that sacred narrative setting.

Implied devotional practice: chanting/praising with divine names (nāma-mālā), singing (gāna), and devotional dance (nṛtya) as acts of worship.