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Skanda Purana — Avanti Khanda, Shloka 2

तपः कृत्वा सुविपुलं सुरासुरभयंकरम् । पौलस्त्यमन्दिरे चैव चिक्रीड नृपसत्तम

tapaḥ kṛtvā suvipulaṃ surāsurabhayaṃkaram | paulastyamandire caiva cikrīḍa nṛpasattama

ครั้นได้บำเพ็ญตบะอันยิ่งใหญ่ไพศาล น่าหวาดครั่นแม้แก่เทวดาและอสูรแล้ว โอ้กษัตริย์ผู้ประเสริฐ เขาก็รื่นเริงอยู่ที่นั่นด้วย ในเทวสถานของเปาลัสตยะ

tapaḥausterity; penance
tapaḥ:
Karma (Object/कर्म)
TypeNoun
Roottapas (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2), एकवचन; कर्म (कृत्वा इत्यस्य)
kṛtvāhaving performed
kṛtvā:
Pūrvakāla-kriyā (Prior action)
TypeVerb
Rootkṛ (धातु)
Formक्त्वा-प्रत्ययान्त अव्यय-कृदन्तम् (gerund/absolutive): ‘having done’
su-vipulamvery extensive; great
su-vipulam:
Viśeṣaṇa (Qualifier/विशेषण)
TypeAdjective
Rootsu (उपसर्ग/अव्यय) + vipula (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2), एकवचन; विशेषणम् (tapaḥ-विशेषणम्)
surāsura-bhayaṃkaramterrifying to gods and demons
surāsura-bhayaṃkaram:
Viśeṣaṇa (Qualifier/विशेषण)
TypeAdjective
Rootsura (प्रातिपदिक) + asura (प्रातिपदिक) + bhayaṃkara (प्रातिपदिक)
Formतत्पुरुषः (surāsurāṇāṃ bhayaṃkaraṃ); नपुंसकलिङ्ग, द्वितीया (2), एकवचन; विशेषणम् (tapaḥ-विशेषणम्)
paulastya-mandirein the temple/shrine of Paulastya
paulastya-mandire:
Adhikaraṇa (Location/अधिकरण)
TypeNoun
Rootpaulastya (प्रातिपदिक) + mandira (प्रातिपदिक)
Formतत्पुरुषः (paulastyasya mandiram); नपुंसकलिङ्ग, सप्तमी (7), एकवचन
caand
ca:
Samuccaya (Coordination/समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयबोधक-अव्ययम् (conjunction)
evaindeed; just
eva:
Avadhāraṇa (Emphasis/अवधारण)
TypeIndeclinable
Rooteva (अव्यय)
Formअवधारणार्थक-अव्ययम् (emphatic particle)
cikrīḍaplayed; sported
cikrīḍa:
Kriyā (Action/क्रिया)
TypeVerb
Rootkrīḍ (धातु)
Formलिट् (परोक्षभूत/Perfect), प्रथमपुरुष (3), एकवचन; परस्मैपदम्
nṛpa-sattamaO best of kings
nṛpa-sattama:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootnṛpa (प्रातिपदिक) + sat-tama (प्रातिपदिक)
Formतत्पुरुषः (nṛpāṇāṃ sattamaḥ); पुंलिङ्ग, सम्बोधन (8), एकवचन

Mārkaṇḍeya (to Yudhiṣṭhira)

Tirtha: Paulastya-mandira (associated locus within Kuṇḍaleśvara area)

Type: temple

Listener: A king (nṛpasattama)

Scene: The Yakṣa Kuṇḍadhāra performs fierce austerities near a shrine labeled Paulastya-mandira; devas and asuras watch from the sky in apprehension; the air shimmers with heat of tapas.

P
Paulastya (mandira/shrine)
Y
Yakṣa Kuṇḍadhāra (implied)

FAQs

Intense tapas performed in a sanctified place magnifies spiritual potency and leads to extraordinary attainment.

Kuṇḍaleśvara’s sacred complex, including the Paulastya shrine/temple mentioned in the narrative.

Tapas (austerity) is highlighted as the principal practice associated with the site’s power.