नमस्यामो नरं देवं तथा नारायणं हरिम् । नमो नराय नम्याय नमो नारायणाय च
namasyāmo naraṃ devaṃ tathā nārāyaṇaṃ harim | namo narāya namyāya namo nārāyaṇāya ca
ข้าพเจ้าทั้งหลายขอนอบน้อมแด่พระนระผู้เป็นเทพ และแด่พระหริ—พระนารายณ์ นโมแด่พระนระ ผู้ควรแก่การนอบน้อมเสมอ; และนโมแด่พระนารายณ์ด้วย
Narratorial voice (hymnic invocation within the Revā Khaṇḍa context)
Tirtha: Nara-Nārāyaṇa smaraṇa (Badarikāśrama archetype)
Type: kshetra
Listener: a king (nṛpa) in the surrounding frame
Scene: Two revered figures are invoked: Nara the divine sage and Nārāyaṇa Hari; devotees bow repeatedly in a rhythmic, mantra-like sequence.
Humble salutation (namaskāra) to Nara and Nārāyaṇa is presented as a foundational act of devotion and alignment with dharma.
The verse functions as an invocation within the Revā Khaṇḍa (Narmadā/Revā sacred geography), rather than naming a single tīrtha in this line.
No explicit rite is prescribed; the implied practice is stuti and namaskāra (reverential praise and bowing).