गतेषु सर्वदेवेषु कामदेवोऽपि भारत । तपश्चचार विपुलं नर्मदातटमाश्रितः
gateṣu sarvadeveṣu kāmadevo'pi bhārata | tapaścacāra vipulaṃ narmadātaṭamāśritaḥ
ครั้นเมื่อเหล่าเทวะทั้งปวงจากไปแล้ว กามเทพก็เช่นกัน โอ้ภารตะ ได้บำเพ็ญตบะอันยิ่งใหญ่ โดยอาศัยฝั่งแม่น้ำนรมทาเป็นที่พึ่ง
Narrator (addressing Bhārata/king; exact speaker not in snippet)
Tirtha: Narmadā-tata (Revā-tīra)
Type: ghat
Listener: Bhārata (king addressed as ‘Bhārata’)
Scene: Kāmadeva, now embodied, leaves the celestial assembly and sits on the Narmadā bank in ascetic posture—matted hair, minimal ornaments, focused gaze—river flowing beside him.
Even celestial beings seek purification and grace through tapas performed at sacred rivers and tīrthas.
The Narmadā (Revā) riverbank, a central sacred geography of the Revā Khaṇḍa.
Tapas (austerity) is highlighted as the chosen discipline, performed at the Narmadā-taṭa.