गौतमश्च पुलस्त्यश्च पौलस्त्यः पुलहः क्रतुः । सनातनस्तु कपिलो वाह्निः पञ्चशिखस्तथा
gautamaśca pulastyaśca paulastyaḥ pulahaḥ kratuḥ | sanātanastu kapilo vāhniḥ pañcaśikhastathā
มีโคตมะและปุลัสตยะ; อีกทั้งเปาลัสตยะ ปุลหะ และกรตุ; และสนันตนะ กปิล วหฺนิ และปัญจศิขะด้วย
Narrator (contextual; likely Sūta/Lomaharṣaṇa style narration within Āvantya Khaṇḍa)
Tirtha: Revā (Narmadā) tīrtha-pradeśa
Type: kshetra
Scene: A riverbank scene blending ritual and philosophy: Agni-flame personified (Vahni) near a homa-kuṇḍa; Kapila with tawny complexion seated in teaching posture; Pañcaśikha as a contemplative disciple; Pulastya/Pulaha/Kratu in elder forms; Revā flowing quietly behind.
The tīrtha’s greatness is shown through the presence of eminent ṛṣis, implying heightened merit for worship and pilgrimage there.
The Revā (Narmadā) tīrtha-region described in Revā Khaṇḍa, with the narrative moving toward Yodhanīpura’s praise.
None explicitly in this verse; it supports the māhātmya by establishing sacred company and authority.