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Shiva Purana — Vayaviya Samhita, Shloka 13

मन्त्रसिद्धिः, प्रतिबन्धनिरासः, श्रद्धा-नियमाः

Mantra Efficacy, Removal of Obstacles, and the Role of Faith/Discipline

आलिप्य शकृता १ भूमिं हस्तमानावरां यथा । विलिखेत्कमले भद्रे दीप्यमानं स्वतेजसा

ālipya śakṛtā 1 bhūmiṃ hastamānāvarāṃ yathā | vilikhetkamale bhadre dīpyamānaṃ svatejasā

เมื่อทาพื้นดินด้วยมูลโคแล้ว โอ้กมลาอันเป็นมงคล พึงวาดดอกบัวขนาดหนึ่งคืบมือให้ส่องประกายด้วยรัศมีของตนเอง

आलिप्यhaving smeared
आलिप्य:
Kriyā (क्रिया)
TypeVerb
Rootआ-लिप् (धातु)
Formक्त्वान्त अव्ययकृदन्त (absolutive/gerund), पूर्वकालिक क्रिया
शकृताwith dung (cow-dung)
शकृता:
Karaṇa (करण)
TypeNoun
Rootशकृत् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
भूमिम्the ground
भूमिम्:
Karma (कर्म)
TypeNoun
Rootभूमि (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
हस्त-माना-अवराम्slightly less than a hand-span in measure
हस्त-माना-अवराम्:
Karma (कर्म)
TypeAdjective
Rootहस्त (प्रातिपदिक) + मान (प्रातिपदिक) + अवर (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; तत्पुरुष-समास (परिमाणवाचक: ‘हस्तमाना’ = one-hand measure; ‘अवरा’ = less/shorter)
यथाas, in the manner that
यथा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootयथा (अव्यय)
Formअव्यय, उपमान/प्रकारवाचक (comparative/manner adverb)
विलिखेत्should draw/inscribe
विलिखेत्:
Kriyā (क्रिया)
TypeVerb
Rootवि-लिख् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
कमलेin/on a lotus (design)
कमले:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootकमल (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
भद्रेauspicious, excellent
भद्रे:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootभद्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन; विशेषण (qualifying कमले)
दीप्यमानम्shining, radiant
दीप्यमानम्:
Karma (कर्म)
TypeAdjective
Rootदीप् (धातु)
Formशतृ/शानच्-वर्तमानकृदन्त (present participle, Ātmanepada sense), नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (of what is drawn)
स्व-तेजसाwith its/one's own brilliance
स्व-तेजसा:
Karaṇa (करण)
TypeNoun
Rootस्व (प्रातिपदिक) + तेजस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; तत्पुरुष-समास (षष्ठी-तत्पुरुष: ‘स्वस्य तेजसा’)

Suta Goswami

Tattva Level: pashu

Shiva Form: Sadyojāta

Significance: Ritual maṇḍala/lotus-drawing is a portable ‘micro-kṣetra’ practice usable in any Śiva worship setting; it sacralizes space for invoking Śiva’s presence.

Shakti Form: Lalitā

Role: creative

Offering: pushpa

S
Shiva

FAQs

It teaches that Shaiva worship begins with śauca (purity): preparing a sanctified space supports steadiness of mind, so devotion can turn from the outer act to Shiva as Pati, the luminous inner Lord.

The lotus diagram is a consecrated base for Saguna worship—an orderly, pure seat for the Linga or Shiva’s symbol—so the devotee approaches the manifest form with reverence while remembering Shiva’s self-effulgent nature.

Prepare the worship-ground by smearing with cow-dung and draw a hand-measured lotus (maṇḍala) as an altar-seat; then continue with Shaiva puja such as offering, japa (e.g., Om Namaḥ Śivāya), and inward contemplation.