शिवस्य विश्वव्याप्तिः—अष्टमूर्तिः पञ्चब्रह्म च | Śiva’s Cosmic Pervasion: Aṣṭamūrti and the Pañcabrahma Forms
घ्राणस्य चैवोपस्थस्य गंधस्य च भुवस्तथा । सद्यो जाताह्वयां मूर्तिमीश्वरीं संप्रचक्षते । मूर्तयः पञ्च देवस्य वंदनीयाः प्रयत्नतः । श्रेयोर्थिभिर्नरैर्नित्यं श्रेयसामेकहेतवः
ghrāṇasya caivopasthasya gaṃdhasya ca bhuvastathā | sadyo jātāhvayāṃ mūrtimīśvarīṃ saṃpracakṣate | mūrtayaḥ pañca devasya vaṃdanīyāḥ prayatnataḥ | śreyorthibhirnarairnityaṃ śreyasāmekahetavaḥ
เขาทั้งหลายประกาศพระเทวีผู้เป็นอิศวรีมูรติ นามว่า ‘สัทโยชาตา’ ผู้ครอบครองอินทรีย์ดมกลิ่น อวัยวะสืบพันธุ์ กลิ่นหอม และแผ่นดิน มูรติทั้งห้าของพระผู้เป็นเจ้าพึงบูชาด้วยความเพียรโดยผู้แสวงหาศฺเรยัส เพราะเป็นเหตุเดียวแห่งมงคลแท้ทั้งปวง
Suta Goswami (narrating the Vāyavīya teaching to the sages of Naimiṣāraṇya)
Tattva Level: pati
Shiva Form: Sadyojāta
Shakti Form: Gaurī
Role: creative
Offering: pushpa
It teaches that Shiva’s fivefold manifestation (Pañcamūrti/Pañcabrahma) governs the cosmos and the individual faculties; worship of these forms leads to śreyas—true auspiciousness culminating in liberation—because Shiva as Pati is the single ultimate cause and refuge.
The verse supports Saguna worship by identifying specific divine forms presiding over elements and senses; in Linga worship, devotees contemplate these five aspects as present in the Linga, honoring Shiva’s immanent governance while remembering his transcendence beyond all forms.
Daily worship and meditation on Shiva’s five forms—especially contemplating Sadyojāta with the earth element and offering gandha (fragrant substances) in pūjā—performed with disciplined effort (prayatna) as a steady sādhanā for śreyas.