Aindra Soma-offering: making the Soma ‘sufficient’ and exhilarating for Indra’s strength and victory
तं हिन्वन्ति मदच्युतं हरिं नदीषु वाजिनम् इन्दुमिन्द्राय मत्सरम्
taṃ hinvanti madacyutaṃ hariṃ nadīṣu vājinam indumindrāya matsaram
taṃ1 hinvanti2 madacyutam3 hariṃ1 nadīṣu2 vājinam3 indum1 indrāya2 matsaram3
เขาทั้งหลายเร่งเร้าองค์นั้น—ผู้ไม่พรากจากความปีติเมา คือ ฮริ (Hari) โสมะ (Soma) ผู้สว่างและทรงพลัง ผู้แล่นในสายน้ำ เป็นอินทุ (Indu) อันทำให้มึนเมา เพื่ออินทระ (Indra)
tam | hinvanti | mada-cyutam | harim | nadīṣu | vājinam | indum | indrāya | matsaram
Pavamāna-sāman (generic; tune-name not specified in input)
{ "prastava": "(typical Pavamāna prastāva with stobha such as ‘hā/ho’ prefixed; exact gāna form not supplied)", "udgitha": "taṃ hinvanti madacyutaṃ hariṃ nadīṣu vājinam", "pratihara": "(responsive reprise of a key segment, often ‘hariṃ nadīṣu’ or ‘indum’)", "upadrava": "indum indrāya", "nidhana": "matsaram", "structure_notes": "Without the specific gāna-padapāṭha, the division is reconstructed by common Sāmavedic practice: main semantic body as udgītha; offering-purpose as upadrava; final ‘matsaram’ as nidhana cadence.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; all (or chorus): nidhana." }
{ "gloss_summary": "‘nadīṣu’ are the flowing streams of Soma from the filter into vessels; Soma is ‘madacyuta’ because it yields exhilaration; ‘matsara/mada’ is the technical exhilarant needed by Indra.", "ritual_interpretation": "The chant accompanies Soma’s filtration and presentation as Indra’s invigorating offering.", "theological_insight": "Indra’s cosmic victory is supported by ritually purified exhilaration; sacrifice is the channel that converts substance into divine power.", "etymology_highlights": "madacyuta = mada + cyuta (‘exhilaration-exuding’); matsara as the intoxicating draught (not envy in this context)." }