Shloka 188
Genealogy of the Ancestors (Pitṛs) and the Procedure of Śrāddha
ततो मातामहा राजन्विश्वेदवास्तथैव च । प्रदक्षिणोपचारेण दध्यक्षतफलोदकैः
tato mātāmahā rājanviśvedavāstathaiva ca | pradakṣiṇopacāreṇa dadhyakṣataphalodakaiḥ
แล้วต่อมา ข้าแต่พระราชา ได้ถวายความเคารพแด่มาตามหะ (ตาฝ่ายมารดา) และแด่วิศเวเทวะทั้งหลาย ด้วยการเวียนประทักษิณและเครื่องบูชา คือ นมเปรี้ยว ข้าวสารไม่แตก (อักษตะ) ผลไม้ และน้ำ
Uncertain from single-verse context (likely a narrator addressing a king within the Sṛṣṭikhaṇḍa dialogue frame).
Concept: Honoring pitṛs and divine collectives through proper upacāra sustains auspiciousness and social-cosmic harmony (ṛṇa-traya awareness).
Application: Practice gratitude: remember elders/ancestors, offer simple sattvic items (water, fruit) with respectful circumambulation and prayer; keep rituals non-exploitative and sincere.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A king stands with folded hands beside a low ritual altar, while a learned priest guides him in a serene śrāddha setting. Offerings of curd, akṣata, fruits, and a shining water vessel are arranged in orderly rows as the king performs pradakṣiṇā with calm focus.","primary_figures":["a king (yajamāna)","a Brahmin priest","Pitṛs (subtle ancestral presence)","Viśvedevās (subtle celestial presence)"],"setting":"A clean courtyard near a sacred household fire-altar, with kusa grass, offering plates, and a water pot; faint celestial motifs above.","lighting_mood":"temple lamp-lit","color_palette":["sandalwood beige","lotus pink","gold leaf","deep maroon","river-silver"],"tanjore_prompt":"Tanjore painting style: a royal yajamāna performing pradakṣiṇā around a small śrāddha altar, priest seated with palm-leaf text, offerings of curd bowl, akṣata, fruits, and a kalasha; heavy gold leaf halos for subtle Viśvedevās above, rich reds and greens, gem-studded ornaments, traditional South Indian iconography, ornate arch frame.","pahari_prompt":"Pahari miniature style: a quiet palace courtyard ritual with delicate brushwork; the king in pale saffron shawl circles the altar, priest in white dhoti; small bowls of dadhि, akṣata, fruits, and water; soft pastel sky with faint Viśvedevā silhouettes, refined faces, lyrical naturalism, thin lines and cool shadows.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments; the king and priest near a stylized altar with offering vessels; symbolic Viśvedevās in the upper register; warm red/yellow/green palette, large expressive eyes, temple-wall aesthetic, patterned borders with lotus and kusa motifs.","pichwai_prompt":"Pichwai cloth painting style: devotional courtyard scene framed by intricate floral borders and lotus motifs; offerings arranged symmetrically; subtle celestial band of Viśvedevās above; deep blues and gold accents, ornate textile-like detailing, peacocks at the border corners, Nathdwara-inspired composition even though the subject is śrāddha."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","low Vedic chanting drone","water poured into a vessel","gentle courtyard silence"]}
Sandhi Resolution Notes: राजन्विश्वेदवाः → राजन् + विश्वेदवाः; तथैव → तथा + एव; प्रदक्षिणोपचारेण (समास); दध्यक्षतफलोदकैः → दधि + अक्षत + फल + उदकैः (समाहार-द्वन्द्व), दधि+अक्षत → दध्यक्षत (यण्-सन्धि)
FAQs
The Viśvedevās are a collective group of Vedic deities often invoked together; here they are recipients of honor alongside an ancestral figure.
It indicates honoring through respectful circumambulation (pradakṣiṇā) as a formal mode of reverential service (upacāra).
It highlights reverence—showing respect to divine beings and elders/ancestors through orderly, humble ritual hospitality and simple, pure offerings.