Shloka 164
Umā’s Austerity, Kauśikī’s Manifestation, and Skanda’s Birth Leading to Tāraka’s Defeat
जगाम जगतांनाथस्तूयमानोमरेश्वरैः । तारकस्य वधार्थाय जगतां कंटकस्य च
jagāma jagatāṃnāthastūyamānomareśvaraiḥ | tārakasya vadhārthāya jagatāṃ kaṃṭakasya ca
พระผู้เป็นเจ้าแห่งสรรพโลกเสด็จออกไป ท่ามกลางคำสรรเสริญของเหล่าจอมเทพอมตะ เพื่อประหารตารกะ ผู้เป็นหนามยอกอกแห่งโลกทั้งปวง
Narrator (Purāṇic narrator; specific dialogue pair not stated in the provided verse)
Concept: The Supreme Lord acts for loka-saṅgraha—removing the menace that obstructs cosmic order and the welfare of beings.
Application: When harm spreads like a ‘thorn’ in a community, dharmic leadership means acting decisively for the common good while remaining anchored in praise, gratitude, and higher purpose.
Primary Rasa: vira
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A vast celestial corridor opens as the Lord of the worlds strides forward, crowned by the hymns of the immortals. Deva-lords hover in reverent formation, showering blossoms and holding conch and lamps, while far below the three worlds appear as a fragile orb threatened by a dark, thorn-like asuric shadow.","primary_figures":["Jagannātha/Vishnu (as world-protector)","Indra","Deva-gana (immortal lords)","Tāraka (as distant looming menace)"],"setting":"Celestial pathway above the three worlds; clouds like palace terraces; distant vision of the worlds under threat.","lighting_mood":"divine radiance","color_palette":["sapphire blue","gold leaf","cloud white","lotus pink","smoky indigo"],"tanjore_prompt":"Tanjore painting style: Vishnu as Jagannātha striding forward with conch and discus, haloed in thick gold leaf; Indra and Devas in ornate crowns praising with folded hands; shower of lotus petals; the three worlds depicted as a jewel-like sphere below; rich reds and emerald greens, gem-studded ornaments, heavy gold embossing, traditional South Indian iconography.","pahari_prompt":"Pahari miniature style: a lyrical celestial procession—Vishnu moving along a cloud-terrace, Devas in delicate profiles offering garlands; distant miniature globe of the worlds; cool blues and soft pinks, fine brushwork, refined faces, gentle gradients in the sky, subtle Himalayan-like cloud forms.","kerala_mural_prompt":"Kerala mural style: Vishnu in bold frontal stance with large expressive eyes, thick black outlines, luminous yellow-red-green palette; Devas arranged symmetrically in temple-wall composition; stylized clouds and lotus motifs; strong ornamental jewelry patterns and radiant aura.","pichwai_prompt":"Pichwai cloth painting style: Vishnu-centered cosmic tableau with lotus borders and floral filigree; Devas as attendants in rhythmic rows; the ‘thorn to the worlds’ shown as a dark vine-like motif at the edge; deep blues, gold detailing, intricate floral frames, peacocks and lotuses woven into the border."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","temple bells","celestial drums (dundubhi)","choral stuti","wind through clouds"]}
Sandhi Resolution Notes: जगतांनाथः = जगताम् + नाथः; तूयमानोमरेश्वरैः = तूयमानः + अमरैश्वरैः
FAQs
The verse uses a reverential epithet—“Lord of the worlds”—for the divine protector who sets out to remove a cosmic threat; the specific identity is not named in the supplied line itself.
Kaṇṭaka literally means “thorn,” and figuratively a disruptive menace—someone whose presence causes suffering and obstructs order (dharma) in the worlds.
It frames the protection of the many as a righteous duty: when a being becomes a persistent harm to the world, divine power acts to remove that obstruction for the restoration of order.