Shloka 163
Umā’s Austerity, Kauśikī’s Manifestation, and Skanda’s Birth Leading to Tāraka’s Defeat
एतौ हरस्व भद्रं ते तावकं च महाबलम् । एवमुक्तस्तथेत्युक्त्वा सर्वामरपदानुगः
etau harasva bhadraṃ te tāvakaṃ ca mahābalam | evamuktastathetyuktvā sarvāmarapadānugaḥ
"จงรับสิ่งเหล่านี้ไปเถิด—ขอความสวัสดิมงคลจงมีแด่ท่าน—และจงรับพลังอันยิ่งใหญ่ของท่านไปด้วย" เมื่อได้รับคำกล่าวเช่นนั้น เขาจึงตอบว่า "ขอจงเป็นเช่นนั้นเถิด" แล้วจึงดำเนินต่อไป โดยมีเหล่าทวยเทพทั้งหลายติดตามไป
Unclear from this single verse (context needed from surrounding shlokas).
Concept: Right action is strengthened by blessings and delegated power; acceptance (‘tathā’) marks readiness to serve dharma.
Application: Accept responsibilities with clarity and goodwill; let blessings and support translate into disciplined action.
Primary Rasa: vira
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A senior deva extends radiant gifts—symbolic weapons, garlands, and a stream of luminous power—toward the chosen champion, who answers with calm certainty: ‘tathā’. Behind him, the ranks of immortals assemble in orderly splendor, ready to accompany the dharmic mission as the air fills with auspicious light.","primary_figures":["A leading deva (Indra or a divine elder)","The empowered champion (Guha/Skanda or appointed protector)","Deva entourage (amarapada-anuga)"],"setting":"Celestial mandapa with lotus-carved pillars, banners, and a wide processional path leading outward toward the battlefield horizon.","lighting_mood":"golden dawn","color_palette":["sunlit gold","vermilion","turquoise","white jasmine","deep royal blue"],"tanjore_prompt":"Tanjore painting style: central gifting moment—Indra-like deva offering spear/garland and a radiant aura to Guha/Skanda; attendants in symmetrical rows; heavy gold leaf halos and architectural details, rich reds and greens, gem-studded ornaments, ornate borders with lotus and conch motifs.","pahari_prompt":"Pahari miniature style: intimate commissioning scene with delicate gestures; soft dawn sky, cool blues and warm saffron; refined faces, detailed textiles; a lyrical procession of devas behind the hero, subtle halos and floral garlands.","kerala_mural_prompt":"Kerala mural style: bold outlines, frontal iconic figures; the blessing hand extended, the hero accepting with ‘tathā’ composure; rhythmic rows of devas; warm red-yellow-green palette, temple-wall aesthetic, stylized jewelry and crowns.","pichwai_prompt":"Pichwai cloth painting style: auspicious procession with lotus borders and floral festoons; central hero receiving gifts, devas arranged like a devotional tableau; deep blue background with gold highlights, intricate border of lotuses, conches, and lamps, peacocks at corners to signify victory and auspiciousness."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["conch shell","temple bells","mridanga rhythm (steady)","chanting chorus (soft)","fluttering banners in wind"]}
Sandhi Resolution Notes: एवमुक्तस्तथेत्युक्त्वा = एवम् + उक्तः + तथा + इति + उक्त्वा
FAQs
This shloka alone does not identify the speaker; the speaker and addressee must be inferred from the immediately preceding verses in Adhyaya 44.
A person is instructed to “take these” and also to take what is “his own great power,” after which he assents (“tathā”) and departs accompanied by the divine retinue.
The verse highlights consent and orderly transfer/acceptance—an ideal of dharmic conduct where actions proceed through clear instruction, assent, and proper accompaniment rather than coercion.