Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
षड्दीर्घस्वरयुक्तेन विद्यायाः स्यात्षडंगकम् । तेनैव पुटितैरर्णैर्न्यसेच्छ्रोत्रादिपञ्चसु ॥ १२२ ॥
ṣaḍdīrghasvarayuktena vidyāyāḥ syātṣaḍaṃgakam | tenaiva puṭitairarṇairnyasecchrotrādipañcasu || 122 ||
เมื่อวิทยา (Vidyā) ประกอบด้วยสระยาวทั้งหก ก็เป็นวิทยาหกองค์ (ษฑังคะ) ด้วยพยางค์เดิมที่ปกป้องมั่นคงนั้น พึงทำนยาสะลง ณ ศูนย์อินทรีย์ทั้งห้า เริ่มที่หู
Sanatkumara (in instruction to Narada, Vedanga/Mantra-technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that sound (svara/varṇa) is not merely linguistic but a sacred technology: by structuring the vidyā with prescribed vowels and then placing it through nyāsa on the sense-centres, the practitioner sanctifies perception and makes the body a fit vessel for mantra.
Though technical, it supports bhakti by disciplining the senses: nyāsa on the ear and other faculties redirects hearing, seeing, and speaking toward sacred recitation and remembrance, stabilizing devotion through regulated mantra-practice.
Śikṣā (phonetics) and mantra-vidhi are highlighted—specifically the use of long vowels (dīrgha-svara), syllabic arrangement (arṇa/varṇa), and nyāsa as a ritual application of sound-science.