Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
ततः षडंगान्यभ्यर्च्य केसरेषु यथाविधि । प्रह्लादिनीं प्रभां पश्चान्नित्यां विश्वंभरां पुनः ॥ ११९ ॥
tataḥ ṣaḍaṃgānyabhyarcya kesareṣu yathāvidhi | prahlādinīṃ prabhāṃ paścānnityāṃ viśvaṃbharāṃ punaḥ || 119 ||
ครั้นแล้วบูชาส่วนประกอบทั้งหกตามพิธีบนเส้นเกสรดอกบัวโดยชอบธรรมแล้ว พึงบูชา “ปรหลาทินี” และ “ประภา” ต่อจากนั้นอีกครั้งบูชา “นิตยา” และ “วิศวัมภรา” ด้วยศรัทธา
Narada (in instruction/dialogue context with the Sanatkumara brothers)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes that devotion is strengthened by disciplined procedure (vidhi): worship is performed in an ordered sequence—first the ṣaḍaṅga (auxiliary limbs), then specific divine powers—so the practitioner’s attention, purity, and intention become steady and complete.
Bhakti here is not merely emotion but structured upāsanā: honoring the deity through prescribed steps and names (Prahlādinī, Prabhā, Nityā, Viśvambharā) trains the mind to perceive the Lord’s sustaining, radiant, and ever-present grace in all experience.
It reflects ritual-technical discipline—correct sequencing and placement (yathāvidhi, kesareṣu)—akin to the applied side of Vedāṅga-based practice (precise procedure, recitation order, and ritual arrangement used in mantra-nyāsa and upāsanā).