Kapilādipūjāvidhāna — Procedure for Worship Beginning with Kapilā
स्वाहान्तेनाहुतीः पञ्च दत्वादीप्योदरानलं नागः कूर्मो ऽथ कृकरो देवदत्तो धनञ्जयः
svāhāntenāhutīḥ pañca datvādīpyodarānalaṃ nāgaḥ kūrmo 'tha kṛkaro devadatto dhanañjayaḥ
เมื่อถวายอาหุติ ๕ ครั้ง โดยแต่ละครั้งลงท้ายด้วย “สวาหา” แล้ว ย่อมจุดประกายไฟย่อยภายใน (ชฐรากนิ) ให้ลุกโชน ทั้งนี้สัมพันธ์กับอุปวายุทั้งห้า คือ นาคะ กูรมะ กฤกระ เทวทัตตะ และธนัญชยะ.
Lord Agni (narrating to sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Yoga","secondary_vidya":"Mantra","practical_application":"Inner-fire (jāṭharāgni) kindling through prāṇāhuti-style offerings with svāhā, mapped to the five upa-prāṇas (Nāga, Kūrma, Kṛkara, Devadatta, Dhanañjaya).","sutra_style":true}
Encyclopedic Reference: {"reference_type":"List","entry_title":"Pañca-upa-prāṇa & svāhā-huti for dīpana of antar-agni","lookup_keywords":["upa-prāṇa","nāga","kūrma","kṛkara","svāhā"],"quick_summary":"Five svāhā-ended oblations are linked to the five subsidiary vital airs, with the stated effect of kindling the inner digestive fire."}
Dosha: Tridosha
Concept: Microcosmic yajña: internalizing the fire-ritual as regulation of prāṇa and digestion.
Application: Treat eating/digestion as a disciplined inner rite—steady attention, mantra, and breath to reduce tamas and support clarity.
Khanda Section: Yoga & Pranayama (Vayu/Vital-airs doctrine; Hatha-yogic physiology)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"An inner-yajña visualization: a seated practitioner offers five subtle oblations into an imagined inner fire at the navel; around the figure are five labeled currents—Nāga, Kūrma, Kṛkara, Devadatta, Dhanañjaya—shown as flowing winds.","kerala_mural_prompt":"Kerala mural, stylized yogi with visible navel-flame (jāṭharāgni), five small flame-offerings marked ‘svāhā’, decorative wind-forms labeled with the five upa-prāṇas, rich reds and ochres, temple mural symmetry","tanjore_prompt":"Tanjore, central yogi with gold aura, navel fire rendered with gold highlights, five offering flames in a semicircle, inscriptions of Nāga/Kūrma/Kṛkara/Devadatta/Dhanañjaya, ornate border","mysore_prompt":"Mysore painting, didactic diagram-like layout: navel region highlighted, five arrows/wind-streams labeled, each paired with ‘svāhā’ oblation icon, clean composition for instruction","mughal_miniature_prompt":"Mughal miniature, refined yogic scene in a pavilion, subtle translucent depiction of inner fire, five small offering gestures, calligraphed labels for the upa-prāṇas, delicate shading"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: स्वाहान्तेनाहुतीः → स्वाहान्तेन + आहुतीः; कूर्मो ऽथ → कूर्मः + अथ (विसर्ग-लोप/ओऽ).
Related Themes: Agni Purana 77.22–77.24 (prāṇāhuti sequence and post-offering conduct); Agni Purana yoga/prāṇa discussions elsewhere in the compendium
It teaches a technical mapping between five “svāhā”-ended oblations and the regulation/activation of the inner digestive fire (jaṭharāgni), while naming the five subsidiary vital airs (upapraṇas): Nāga, Kūrma, Kṛkara, Devadatta, and Dhanañjaya.
Alongside ritual language (“svāhā,” oblation), it preserves a yogic-physiological taxonomy of vāyus and links it to internal fire theory—showing how the Agni Purana integrates Vedic ritual idiom with subtle-body and health-oriented knowledge.
By sacralizing bodily regulation as an inner yajña (offering), the practice is framed as purificatory: harmonizing vital airs and strengthening inner fire supports steadiness, reduced impurity, and fitness for higher discipline (yoga/meditation).