Chapter 53 — Liṅga-lakṣaṇa
Characteristics and Proportions of the Śiva-liṅga and Piṇḍikā
त्रिषु भागेषु सदृशमायामं यस्य चिस्तरः तद्विभागसमं लिङ्गं सर्वकामफलप्रदं
triṣu bhāgeṣu sadṛśamāyāmaṃ yasya cistaraḥ tadvibhāgasamaṃ liṅgaṃ sarvakāmaphalapradaṃ
ลึงค์ที่มีความยาวและความกว้างได้สัดส่วนตามการแบ่งสามส่วนเท่า ๆ กัน คือทำด้วยมาตราที่สอดคล้องกับสามส่วนนั้น กล่าวกันว่าเป็นผู้ประทานผลแห่งความปรารถนาทั้งปวง
Lord Agni (in discourse to the sage Vasiṣṭha, as per the common Agni Purāṇa dialogue frame)
Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Dharmashastra","practical_application":"Selecting/constructing a liṅga with auspicious proportions (length and breadth aligned to a three-part proportional scheme) believed to yield desired results for patrons and temple communities.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Sarvakāma-phala-prada liṅga: tri-bhāga proportion rule","lookup_keywords":["tri-bhāga","āyāma","vistāra","liṅga-lakṣaṇa","sarvakāma"],"quick_summary":"A liṅga whose length and breadth conform harmoniously to a three-part proportional division is declared auspicious and fruit-giving for all desired aims."}
Concept: Right form (rūpa) aligned with right measure (māna) supports right results (phala) in ritual life.
Application: When commissioning a liṅga, prefer tri-bhāga proportional harmony as an auspicious specification.
Khanda Section: Vastu & Linga-Lakshana (Iconography / Temple-architecture guidelines)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A finished liṅga is shown with marked three equal divisions, demonstrating balanced length and breadth; priests and patrons observe, signifying auspicious selection.","kerala_mural_prompt":"Kerala mural, serene sanctum-adjacent scene with a liṅga marked in three divisions, priests discussing proportions, subdued sacred palette","tanjore_prompt":"Tanjore painting, central liṅga with tri-bhāga markings, gold aura-like embellishment indicating sarvakāma-phala, attendants with offerings","mysore_prompt":"Mysore style, instructional plate: liṅga silhouette with tri-bhāga grid overlay, annotations for āyāma and vistāra harmony, clean composition","mughal_miniature_prompt":"Mughal miniature, patron and architect examining a proportioned liṅga with measuring staff, refined courtly setting blended with temple workshop"}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: sadṛśamāyāmam → sadṛśam āyāmam; tadvibhāgasamaṃ → tat-vibhāga-samam; cistaraḥ in IAST appears as a typo for vistaraḥ (विस्तरः)
Related Themes: Agni Purana 53.6 (śiras shaping); Agni Purana 53.8 (diameter-to-length ratio)
It gives a vastu/iconographic rule for constructing a Śiva-liṅga: its length (āyāma) and breadth (vistāra) should be proportionate according to three equal divisions, indicating a standardized sacred proportion for installation and worship.
Beyond mythology, the Agni Purāṇa preserves practical temple-arts knowledge—measurement canons and iconographic standards—showing its role as a compendium that includes ritual architecture (vāstu) alongside theology.
Correct proportional construction of the liṅga is presented as spiritually efficacious, promising “sarva-kāma-phala”—the attainment of desired results—through properly aligned sacred form and worship.