Agni Purana — Bhuvanakosha & Tirtha-mahatmya, Shloka 40
Chapter 116 — गयायात्राविधिः (Gayā-yātrā-vidhiḥ) | The Procedure for the Gayā Pilgrimage
स्थितं स्थिरतरं सारं वन्दे घोराघमर्दनम् आगतो ऽस्मि गयां देव पितृकार्ये गदाधरः
sthitaṃ sthirataraṃ sāraṃ vande ghorāghamardanam āgato 'smi gayāṃ deva pitṛkārye gadādharaḥ
ข้าพเจ้าขอนอบน้อมแด่พระผู้ทรงมั่นคงยิ่ง เป็นแก่นสารแท้ และทรงบดขยี้บาปอันน่ากลัว โอ้พระเจ้า ข้าพเจ้ามาถึงคยาเพื่อประกอบกิจแก่บรรพชน; พระองค์คือคทาธร (ผู้ทรงคทา)۔
Lord Agni (narrating the tīrtha-māhātmya/rite; the verse itself is a devotee’s prayer addressed to Viṣṇu as Gadādhara)
Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Vrata","practical_application":"Liturgical utterance for pilgrims performing Gayā-śrāddha and pitṛ-kārya, aligning the rite with sin-removal and devotion to Gadādhara.","sutra_style":false}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Gayā-gamana for Pitṛ-kārya—Salutation to Ghōrāgha-mardana (Gadādhara)","lookup_keywords":["Gayā","śrāddha","pitṛ-kārya","Gadādhara","aghā-mardana"],"quick_summary":"Frames the pilgrimage to Gayā for ancestral rites as an act under the protection of Gadādhara, praised as the steadfast essence and destroyer of terrible sin."}
Alamkara Type: Guṇa-kīrtana with intensifiers (sthitaṃ sthirataram sāram)
Weapon Type: Mace (Gadā)
Concept: Pitṛ-ṛṇa is addressed through prescribed rites at a sacred tīrtha; devotion and moral purification accompany ritual efficacy.
Application: Undertake śrāddha with clear saṅkalpa, humility, and ethical conduct; treat the rite as both duty (ṛṇa-śodhana) and inner purification.
Khanda Section: Tirtha-mahatmya & Pitṛ-kārya (Gaya-śrāddha and ancestral rites)
Primary Rasa: Śānta
Secondary Rasa: Vīra
Type: Tirtha
Visual Art Cues: {"scene_description":"A pilgrim arrives at Gayā, hands folded, before Gadādhara; the atmosphere is solemn with śrāddha implements—piṇḍa offerings, kuśa grass, water vessel—signifying pitṛ-kārya and sin-removal.","kerala_mural_prompt":"Kerala mural: Gayā tīrtha setting with riverbank/ghāṭa, priest with kuśa and piṇḍa, devotee in white dhoti, Gadādhara Viṣṇu standing with gadā, bold outlines and earthy palette.","tanjore_prompt":"Tanjore: Gadādhara as central icon with gold halo; foreground shows śrāddha tray (piṇḍa, til, water pot), pilgrim kneeling; ornate temple arch and gold embossing.","mysore_prompt":"Mysore: detailed ritual scene—priest guiding saṅkalpa, labeled implements, Gadādhara image in shrine; soft colors and fine ornamentation suitable for instructional depiction.","mughal_miniature_prompt":"Mughal miniature: riverside Gayā ceremony with multiple figures, delicate architecture and trees, Gadādhara depicted in a shrine niche; fine detailing of ritual objects and garments."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"devotional"}
Sandhi Resolution Notes: आगतो 'स्मि = आगतः + अस्मि. घोराघमर्दनम् = घोर + अघ + मर्दनम्. पितृकार्ये = पितृ + कार्ये (समास).
Related Themes: Agni Purana 116 (Gayā-māhātmya / pitṛ-kārya sequence)
FAQs
It frames the rite of pitṛ-kārya at the Gayā tīrtha as being performed with a formal Viṣṇu-stuti—invoking Gadādhara as the destroyer of sin—serving as the devotional preface to śrāddha/piṇḍa-dāna.
Alongside theology, it documents applied ritual culture—pilgrimage (tīrtha), ancestral ceremonies (pitṛ-kriyā), and the liturgical use of hymns—showing how Purāṇic texts function as manuals for lived religious practice.
By approaching Gayā with devotion to Viṣṇu as the 'crusher of dreadful sin,' the performer seeks purification and the successful fulfillment of obligations to the ancestors, traditionally believed to yield merit and aid the Pitṛs.