गङ्गामाहात्म्यं
The Greatness of the Gaṅgā
सकलाघहरी देवी स्वर्गलोकप्रदायिनी यावदस्थि च गङ्गायां तावत् स्वर्गे स तिष्ठति
sakalāghaharī devī svargalokapradāyinī yāvadasthi ca gaṅgāyāṃ tāvat svarge sa tiṣṭhati
เทวีคงคาทรงขจัดบาปทั้งปวงและประทานสวรรค์โลก. ตราบใดที่อัฐิของผู้ใดคงอยู่ในคงคา ตราบนั้นผู้นั้นย่อมพำนักอยู่ในสวรรค์.
Lord Agni (narrating to Sage Vasiṣṭha in the Agni Purana’s frame dialogue)
Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Samanya","practical_application":"Funerary and post-death rites orientation: encourages immersion of asthi (bone-remains) in Gaṅgā as a means to secure heavenly attainment for the departed.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Asthi-visarjana in Gaṅgā and duration of svarga-sthiti","lookup_keywords":["asthi-visarjana","Gaṅgā","svarga-loka","pāpa-haraṇī","antyeṣṭi"],"quick_summary":"Gaṅgā is praised as sin-destroying and heaven-bestowing; the verse asserts a direct linkage between the presence of bone-remains in Gaṅgā and the departed’s continued stay in heaven."}
Alamkara Type: Guṇa-kīrtana (eulogy) with phala-śruti
Concept: Antyeṣṭi-related tīrtha-karma: post-mortem rites at a supreme tīrtha are portrayed as efficacious for the preta/pitṛ trajectory.
Application: Perform asthi-visarjana in Gaṅgā with śrāddha/tarpaṇa and remembrance, aligning family ritual duty with the text’s promised phala.
Khanda Section: Tirtha-mahatmya (Ganga-snana and merit of immersion of remains)
Primary Rasa: Śānta
Secondary Rasa: Karुण
Type: River/Tirtha
Visual Art Cues: {"scene_description":"A family at a Gaṅgā ghat immerses a small urn of bone-remains; Gaṅgā appears as a compassionate goddess; above, a serene svarga realm indicates the promised heavenly stay.","kerala_mural_prompt":"Kerala mural: solemn ghat scene with priests chanting, family offering flowers and sesame; Gaṅgā Devī emerging from waves with blessing gesture; upper register shows svarga with soft golden tones.","tanjore_prompt":"Tanjore: Gaṅgā Devī central with gold halo; below, asthi-visarjana ritual with ornate vessels; gold foil accents on river ripples and offerings; calm devotional composition.","mysore_prompt":"Mysore: clear ritual depiction—urn, offerings, priest with mantra posture; gentle expressions; minimal background; emphasis on procedure and reverence.","mughal_miniature_prompt":"Mughal miniature: detailed riverside funeral-rite vignette with attendants, priests, and steps; translucent water; distant celestial pavilion symbolizing svarga; refined linework and muted palette."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Todi","pace":"slow","voice_tone":"contemplative"}
Sandhi Resolution Notes: Resolved: सकलाघहरी→सकल + अघ + हरी; स्वर्गलोकप्रदायिनी→स्वर्गलोक + प्रदायिनी; यावदस्थि→यावत् + अस्थि.
Related Themes: Agni Purāṇa: śrāddha/antyeṣṭi-related materials (where present) and tīrtha-phala passages contiguous to Gaṅgā-māhātmya
It teaches the tirtha-vidhi principle that placing/immersing the deceased’s bone-remains (asthi) in the Gaṅgā is a merit-bearing act (puṇya) linked to purification and heavenly attainment.
It exemplifies the Purana’s tirtha-mahātmya and post-funeral ritual guidance (antyeṣṭi-associated practice), documenting practical religious observances alongside broader theology and dharma.
The verse frames Gaṅgā as a universal purifier (sakalāghaharī) and states a proportional karmic fruit: the continued presence of asthi in Gaṅgā corresponds to continued residence in svarga.