HomeVaraha PuranaAdhyaya 16Shloka 20
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Varaha Purana 16.20 — Adhyaya 16, Shloka 20

The Account of Saramā: Indra’s Restoration after Loss of Sovereignty

मा भद्रे देवराजाय गाश्चेमाः विनिवेदय । एवमुक्त्वा ततो दैत्या मुमुचुस्तां शुनीं वने ॥ १६.२० ॥

mā bhadre devarājāya gāś cemā vinivedaya | evam uktvā tato daityā mumucus tāṃ śunīṃ vane || 16.20 ||

“ఓ భద్రే, ఈ ఆవులను దేవరాజునకు తెలియజేయకు.” అని చెప్పి దైత్యులు ఆ కుక్కను అడవిలో విడిచారు.

माdo not
मा:
निषेध (Prohibition marker)
TypeIndeclinable
Rootमा (अव्यय)
Formनिषेधार्थक अव्यय (prohibitive particle)
भद्रेO good lady
भद्रे:
सम्बोधन (Address)
TypeAdjective
Rootभद्र (प्रातिपदिक)
FormFeminine, Vocative (8th/सम्बोधन), Singular; used as संबोधन-विशेषण
देवराजायto the king of gods (Indra)
देवराजाय:
सम्प्रदान (Recipient)
TypeNoun
Rootदेवराज (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी एकवचन; षष्ठी-तत्पुरुष: ‘king of the gods’
गाःcows
गाः:
कर्म (Karma/Object)
TypeNoun
Rootगो (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Plural
and
:
समुच्चय (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
इमाःthese
इमाः:
विशेषण (Qualifier)
TypeNoun
Rootइदम् (प्रातिपदिक)
Formसर्वनाम; Feminine, Accusative (2nd/द्वितीया), Plural; qualifies ‘गाः’
विनिवेदयinform/report
विनिवेदय:
आज्ञार्थ-क्रिया (Imperative action)
TypeVerb
Rootवि + नि + विद् (धातु)
Formलोट् (Imperative), मध्यमपुरुष, एकवचन; परस्मैपद; ‘report/inform’
एवम्thus
एवम्:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formप्रकारवाचक अव्यय (adverb)
उक्त्वाhaving said
उक्त्वा:
पूर्वकाल-क्रिया (Kriyāviśeṣaṇa)
TypeVerb
Rootवच् (धातु)
Formक्त्वान्त अव्ययकृदन्त (Gerund/Absolutive), from √वच्; ‘having said’
ततःthen
ततः:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootततः (अव्यय)
Formदेश/कालवाचक अव्यय (adverb: then/from there)
दैत्याthe Daityas
दैत्या:
कर्ता (Kartā/Subject)
TypeNoun
Rootदैत्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा बहुवचन
मुमुचुःreleased/let go
मुमुचुः:
क्रिया (Action)
TypeVerb
Rootमुच् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, बहुवचन; परस्मैपद
ताम्her
ताम्:
कर्म (Karma/Object)
TypeNoun
Rootतद् (प्रातिपदिक)
Formसर्वनाम; Feminine, Accusative, Singular
शुनीम्the she-dog
शुनीम्:
कर्म (Karma/Object)
TypeNoun
Rootशुनी (प्रातिपदिक)
FormFeminine, Accusative, Singular; ‘female dog’
वनेin the forest
वने:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootवन (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular

Varāha (default narrative frame; speaker not explicit in this fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"Do not conceal stolen/illicitly held wealth (here, cows) from rightful authority; intimidation to suppress truthful reporting is adharma.","karmic_consequence":"Suppressing truth to protect wrongdoing strengthens pāpa and invites retribution; truthful reporting supports ṛta/dharma and restores order."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"truth vs fear","core_concept":"Fear-based silence is a form of complicity; dharma often requires speaking/acting despite threats.","practical_application":"Resist coercion that demands concealment of wrongdoing; align speech with satya and protection of the common good."}

Subject Matter: ["Ethics","Narrative Literature","Conflict and Restraint","Cultural Heritage"]

Primary Rasa: bhayānaka

Secondary Rasa: karuṇa

Type: forest

Related Themes: 16.16.21 (Saramā reports to the gods); 16.16.22-23 (Indra’s response via Maruts)

Visual Art Cues: {"scene_description":"Daityas issue a stern warning to Saramā not to inform Indra about the cows, then let her go into the forest—an image of intimidation followed by calculated release.","item_prompts":["Daitya chief gesturing ‘do not speak’","Saramā turning away toward forest path","implied herd of cows (off-scene or distant silhouettes)","dark grove and narrow trail","contrast of power vs vulnerability"],"kerala_mural_prompt":"Kerala mural: strong hand-gesture of prohibition; Saramā angled toward exit; dense stylized foliage; saturated colors with clear narrative readability.","tanjore_prompt":"Tanjore: frontal Daitya figure with commanding gesture; Saramā in profile departing; gold highlights on weapons/ornaments; forest rendered as patterned backdrop.","mysore_prompt":"Mysore: elegant restraint; emphasis on facial expression—warning and apprehension; soft forest tones; careful detailing of gesture and posture.","pahari_prompt":"Pahari: storytelling composition with a winding forest path; Saramā moving toward distant light; Daityas clustered behind; delicate trees and atmospheric depth."}

Audio Atmosphere: {"recitation_mood":"warning-laden narrative","suggested_raga":"Tōḍī","pace":"medium-slow","voice_tone":"firm on the quoted speech, then softer on the release into the forest."}

C
Classical Literature
P
Purāṇic Narrative
V
Vaishnavism
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic narrative motif where antagonistic figures attempt to avoid royal or divine authority (here, Devarāja/Indra), offering insight into how social order and power are dramatized in Sanskrit epic-purāṇic literature.

Only a generic setting—"vana" (forest)—is mentioned; no specific toponym is provided in this verse for modern scholarly identification.

The verse presents a speech-act of concealment (urging non-reporting) and a subsequent act of release; archivally, it can be read as highlighting tensions between truth-reporting and coercion within narrative ethics rather than prescribing a universal moral rule.

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