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Varaha Purana 146.31 — Adhyaya 146, Shloka 31

The Greatness of Hṛṣīkeśa at Rurukṣetra: The Origin Narrative of Ruru and the Sacred Site

करेण कन्दुकं घ्नन्ती चञ्चलाक्षी सुपेशला ॥ स्रंसता केशपासेन गलत्पुष्पेण राजता ॥

kareṇa kandukaṃ ghnantī cañcalākṣī supeśalā || sraṃsatā keśapāsena galatpuṣpeṇa rājatā ||

ఆమె చేతితో కందుకాన్ని కొడుతూ ఉండెను; చంచలనయనగా, అతి సుందరంగా, సడలిన జుట్టు ముడులు మరియు జారిపడుతున్న పుష్పాలతో ఆమె ప్రకాశించింది।

करेणwith (her) hand
करेण:
Karana (करण)
TypeNoun
Rootकर (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (करण), एकवचन
कन्दुकम्ball
कन्दुकम्:
Karma (कर्म)
TypeNoun
Rootकन्दुक (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (कर्म), एकवचन
घ्नन्तीstriking (it)
घ्नन्ती:
Karta (कर्ता)
TypeVerb
Rootहन् (धातु)
Formशतृ-प्रत्यय (वर्तमान कृदन्त), स्त्रीलिङ्ग, प्रथमा, एकवचन; ‘striking’
चञ्चल-अक्षीrestless-eyed
चञ्चल-अक्षी:
Karta (कर्ता)
TypeAdjective
Rootचञ्चल (प्रातिपदिक) + अक्षि/अक्षी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मधारय-समासः ‘restless-eyed’
सुपेशलाvery graceful
सुपेशला:
Karta (कर्ता)
TypeAdjective
Rootसु (अव्यय-उपसर्ग/पूर्वपद) + पेशल (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मधारय-समासः ‘very graceful’
स्रंसताas (it was) slipping
स्रंसता:
Hetu/Instrument (हेतु/करण)
TypeVerb
Rootस्रंस् (धातु)
Formशतृ-प्रत्यय (वर्तमान कृदन्त), नपुंसकलिङ्ग, तृतीया (करण/हेतु), एकवचन; ‘while slipping/falling’ (instrumental of attendant circumstance)
केशपासेनby/with a lock of hair
केशपासेन:
Karana (करण)
TypeNoun
Rootकेश (प्रातिपदिक) + पास (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (करण), एकवचन; षष्ठी-तत्पुरुषः ‘tress/lock of hair’
गलत्-पुष्पेणwith a falling flower
गलत्-पुष्पेण:
Karana (करण)
TypeNoun
Rootगलत् (कृदन्त-प्रातिपदिक from गल्) + पुष्प (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (करण), एकवचन; कर्मधारय-समासः ‘a falling flower’
राजताshining
राजता:
Kriyāviśeṣaṇa/Instrument (क्रियाविशेषण/करण)
TypeVerb
Rootराज् (धातु)
Formशतृ-प्रत्यय (वर्तमान कृदन्त), नपुंसकलिङ्ग, तृतीया, एकवचन; ‘shining/being resplendent’ (instrumental of attendant circumstance)

Varāha (narrative frame; not explicitly marked in verse)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"None","instruction_summary":"Depicts aesthetic allure (aṅga-lāvaṇya, veśa-vibhūṣaṇa) as a catalyst for distraction; implies vigilance for those under vows/tapas.","karmic_consequence":"If one indulges fascination, tapas declines; if one maintains mindfulness, one preserves merit and clarity."}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Mindfulness amid sensory display","core_concept":"The mind is moved by motion, ornament, and fragrance; beauty becomes a ‘vṛtti’ that can seize attention.","practical_application":"Practice pratyāhāra: notice how movement/ornament triggers attention; return to breath/mantra or dharma-intent."}

Subject Matter: ["Literary Motifs","Aesthetics"]

Primary Rasa: śṛṅgāra

Secondary Rasa: adbhuta (wonder at grace)

Type: Forest clearing

Related Themes: Varāha Purāṇa 146.33–36 (progression of allure leading to moha)

Visual Art Cues: {"scene_description":"The maiden plays with a ball, striking it with her hand; her hair loosens and flowers slip, creating a shimmering, kinetic scene.","item_prompts":["ball (kanduka) mid-air","hand in striking pose","chanchalākṣī expression","loosened tresses","flowers falling from hair","light jewelry and girdle hints","forest clearing"],"kerala_mural_prompt":"Kerala mural: dynamic pose with kanduka, stylized flowing hair, falling blossoms, rhythmic line-work, saturated greens and reds.","tanjore_prompt":"Tanjore: ornate figure with gold-leaf jewelry, ball as a bright focal point, decorative floral motifs, minimal but rich background.","mysore_prompt":"Mysore: elegant movement, soft gradients, detailed hair strands and blossoms, refined facial expression of playful charm.","pahari_prompt":"Pahari: delicate, airy composition, blossoms drifting, slender figure in motion, lyrical forest with birds."}

Audio Atmosphere: {"recitation_mood":"Playful, lightly sensuous","suggested_raga":"Khamaj or Desh","pace":"Madhyama with rhythmic lilt to match play-action","voice_tone":"Bright, descriptive, with gentle emphasis on visual details"}

C
Classical Literature
S
Sanskrit Poetics
P
Purāṇic Narrative

FAQs

It documents kāvya-like descriptive conventions within a Purāṇic text, relevant for tracking how poetic aesthetics circulate across genres.

None is specified.

This verse is primarily descriptive; ethically it functions as part of a temptation/attention-shifting narrative that later supports discussion of self-control.

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