The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
वह्निसूर्येन्दुभूताह्वा तथात्माष्टाक्षराह्वया । पंचधार्यास्वरूपा च नानाव्रतसमाह्वया ॥ ६८ ॥
vahnisūryendubhūtāhvā tathātmāṣṭākṣarāhvayā | paṃcadhāryāsvarūpā ca nānāvratasamāhvayā || 68 ||
ఆమె అగ్ని, సూర్య, చంద్ర, భూతతత్త్వాల పేర్లతో పిలువబడుతుంది; అలాగే ‘ఆత్మ’ మరియు అష్టాక్షర మంత్ర నామంతోనూ ప్రసిద్ధి. ఆమె ‘పంచధార్య’ స్వరూపిణి; వివిధ వ్రతాల ప్రకారం అనేక నామాలతో చెప్పబడుతుంది.
Narada (teaching within a Vedanga/vrata-technical context; dialogue lineage attributed to Narada’s instruction tradition with the Sanatkumara stream in this section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It explains that a single religious discipline (vrata/observance) can be understood and invoked through multiple sacred designations—cosmic powers (fire, sun, moon, elements), inner reality (Ātman), and mantra-identity (the aṣṭākṣara)—showing a unified sacred framework behind diverse practices.
By highlighting the aṣṭākṣara (commonly ‘oṃ namo nārāyaṇāya’) as a defining name, it points to mantra-centered devotion to Nārāyaṇa as a core way vratas become acts of bhakti rather than mere ritual performance.
The verse reflects technical categorization and nomenclature—how observances are named and grouped (e.g., pañca-dhārya, nānā-vrata)—a practical, śāstra-like method typical of Vedanga-adjacent sections that systematize ritual disciplines and their mantra associations.