दधानां दक्षिणैः पद्ममंकुशं पुष्पसायकम् । तथाविधाभिः परितो युतां शक्तिगणैः स्तुतैः ॥ ७७ ॥
dadhānāṃ dakṣiṇaiḥ padmamaṃkuśaṃ puṣpasāyakam | tathāvidhābhiḥ parito yutāṃ śaktigaṇaiḥ stutaiḥ || 77 ||
ఆమె కుడిచేతుల్లో పద్మం, అంకుశం, పుష్పసాయకాన్ని ధరించి, అదే స్వరూపమైన స్తుతింపబడిన శక్తిగణములచే చుట్టూరా పరివేష్టితగా ప్రకాశిస్తుంది।
Narada (narrating/teaching within a ritual-visualization context)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: bhakti (devotion)
It emphasizes dhyāna-lakṣaṇa (meditative iconography): the deity is contemplated with specific emblems and is understood as inseparable from her śakti-gaṇas—powers that amplify protection, attraction, and spiritual uplift through stuti and focused visualization.
Bhakti here takes the form of stuti and upāsanā: praising the deity and mentally visualizing her attributes (lotus, aṅkuśa, flower-arrow) steadies the mind, deepens reverence, and makes devotion concrete through a clear devotional image.
It reflects the applied, technical side of worship—dhyāna and stuti used in mantra-ritual contexts (a prayoga-like detail). Such precision aligns with Vedāṅga-style discipline (especially kalpa-like procedural clarity), even when presented within a Purāṇic framework.