The Description of the Four Durgā Mantras
आकर्षणीं हृदि पुनः सर्वांतभृगुसंस्थिताम् । संमोहनीं क्रमादेवं बाणन्यासोऽयमीरितः ॥ ५४ ॥
ākarṣaṇīṃ hṛdi punaḥ sarvāṃtabhṛgusaṃsthitām | saṃmohanīṃ kramādevaṃ bāṇanyāso'yamīritaḥ || 54 ||
తదుపరి హృదయంలో మళ్లీ ‘ఆకర్షణీ’ని న్యాసం చేయాలి; అలాగే సర్వాంతాలలో స్థితమైన ‘సంమోహనీ’ని ‘భృగు’ స్థానంలో క్రమంగా స్థాపించాలి. ఇట్లా బాణన్యాస విధి ఉపదేశించబడింది।
Narada (in instruction mode within a technical Vedanga/ritual-nyasa context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It codifies a precise inner-ritual (nyāsa) where specific mantra-śaktis are ‘installed’ in prescribed bodily loci, aiming to align the practitioner’s body-mind as a consecrated field for mantra-siddhi.
Though technical, nyāsa functions as devotional consecration: the devotee internalizes sacred powers in the heart and limbs, treating the body as a temple and supporting focused remembrance during worship.
It highlights applied ritual science—mantra-viniyoga and nyāsa-krama (procedural sequencing and placement terminology), a technical discipline associated with authoritative liturgical method rather than narrative theology.