The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
कृतबाहुश्रृंगयष्टिगुंजालंकृतकंठकः । मयूरपिच्छमुकुटो वनमालाविभूषितः ॥ ५८ ॥
kṛtabāhuśrṛṃgayaṣṭiguṃjālaṃkṛtakaṃṭhakaḥ | mayūrapicchamukuṭo vanamālāvibhūṣitaḥ || 58 ||
ఆయన కంఠం గుంజా మాల మరియు శృంగాకార యష్టి అలంకారాలతో శోభిస్తుంది; మయూరపిచ్ఛ ముకుటం ధరించి, వనమాలాతో విభూషితుడై ఉన్నాడు।
Narada (describing the deity’s iconographic features within the teaching narrative)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a dhyāna-friendly iconographic snapshot—peacock-feather crown and vanamālā—so the devotee can stabilize devotion through a vivid, auspicious form associated with Vishnu/Krishna.
By detailing recognizable ornaments (mukuṭa, vanamālā, guñjā), it supports saguna-upāsanā—loving worship with form—where remembrance (smaraṇa) and visualization become practical tools of Vishnu-bhakti.
It aligns with technical traditions used in ritual manuals—murti-lakṣaṇa and alankāra conventions—helping practitioners standardize deity visualization and temple/household worship details.