Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
एवं न्यासविधिं कृत्वा ध्यायेत्सूर्यं हृदबुजे । दानाभयाब्जयुगलं धारयंतं करै रविम् ॥ २० ॥
evaṃ nyāsavidhiṃ kṛtvā dhyāyetsūryaṃ hṛdabuje | dānābhayābjayugalaṃ dhārayaṃtaṃ karai ravim || 20 ||
ఇలా న్యాసవిధిని చేసి, హృదయకమలంలో సూర్యుని ధ్యానించాలి—ఆ రవిని, ఆయన చేతులలో దాన-వరదమూ అభయ-ప్రదమూ అయిన కమలచిహ్నాల యుగళాన్ని ధరించినవాడిగా।
Narada (teaching in a technical/ritual context within Vedanga-oriented material)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It links outer ritual precision (nyāsa—installing mantras in the body) with inner realization (dhyāna in the heart-lotus), presenting Sūrya as a protective and beneficent deity who grants fearlessness and auspicious gifts.
Bhakti here is expressed as focused, affectionate contemplation: after sanctifying oneself through nyāsa, the devotee visualizes Sūrya within the heart, approaching the deity as a living presence who bestows protection and grace.
It highlights ritual discipline and mantra-application—nyāsa and dhyāna as structured techniques used in Vedic/Āgamic practice to internalize a deity and stabilize concentration for worship.