Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
सहितौ निजशक्तिभ्यां ध्यात्वा पूर्ववदर्चयेत् । केशरेषु षडंगानि पत्रेष्वष्टौ तु मातरः ॥ ३४ ॥
sahitau nijaśaktibhyāṃ dhyātvā pūrvavadarcayet | keśareṣu ṣaḍaṃgāni patreṣvaṣṭau tu mātaraḥ || 34 ||
తమ తమ శక్తులతో కూడిన ఆ రెండు దేవతలను ధ్యానించి, ముందువిధంగా ఆరాధించాలి. కేశరాలపై షడంగాలను, రేకులపై అష్టమాతృకలను స్థాపించాలి।
Narada (teaching in a technical/ritual context, traditionally within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that worship is not merely external offering: the deity is contemplated together with Śakti, and the rite is completed by placing (nyāsa) mantra-energies—ṣaḍaṅga and the Mātṛkās—into the worship-lotus, making the practice both contemplative and energetically structured.
Bhakti here is disciplined devotion: the devotee first performs dhyāna (inner recollection of the deity with Śakti) and then follows pūrvavat-vidhi (scriptural method), showing devotion expressed through precise, reverent ritual order.
It highlights applied ritual-technology: mantra-nyāsa and the use of ṣaḍaṅga (mantra auxiliaries) and Mātṛkā placements on specific parts of a lotus/yantra—an example of technical liturgical procedure aligned with Vedic auxiliary disciplines used in worship.