Vāmana’s Advent, Aditi’s Hymn, Bali’s Gift, and the Mahatmya of Bhū-dāna
पूज्यमानोऽमरगणैः स्तूयमानो महर्षिभिः । गंधर्वैर्गीयमानश्च पुनर्वामनतां गतः ॥ ९३ ॥
pūjyamāno'maragaṇaiḥ stūyamāno maharṣibhiḥ | gaṃdharvairgīyamānaśca punarvāmanatāṃ gataḥ || 93 ||
దేవగణములచే పూజింపబడి, మహర్షులచే స్తుతింపబడి, గంధర్వులచే గానముగా కీర్తింపబడిన ఆ ప్రభువు మళ్లీ వామనరూపాన్ని ధరించెను।
Nārada (narrating to the Sanatkumāra tradition in Purāṇic discourse)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It highlights that the Divine is recognized through collective reverence—worship (pūjā), praise (stuti), and sacred song (gāna)—and that the Lord freely assumes forms (like Vāmana) for cosmic purpose and devotee upliftment.
Bhakti is expressed here as honoring, eulogizing, and singing the Lord’s glories—devotional acts that unite gods, sages, and celestial musicians, modeling kīrtana-stuti as a direct devotional practice.
Indirectly, it points to Chandas and Śikṣā in the disciplined recitation and musical rendering of praise (gīyamānaḥ), emphasizing correct chanting and hymnody as supports for devotional worship.