Skanda Purana — Mahesvara Khanda, Shloka 36
यौगपद्येन तं विप्रमभ्यगच्छाम भारत । गायंत्यो ललमानाश्च लोभयंत्यश्च तं द्विजम्
yaugapadyena taṃ vipramabhyagacchāma bhārata | gāyaṃtyo lalamānāśca lobhayaṃtyaśca taṃ dvijam
ஓ பாரதா! நாங்கள் ஒரே நேரத்தில் அந்தப் பிராமணனை அணுகினோம்—பாடிக்கொண்டு, விளையாடிக்கொண்டு, அந்தத் த்விஜனை மயக்க முயன்று.
Varcā (Apsaras)
Listener: Bhārata (addressed)
Scene: The women approach simultaneously, singing and playfully gesturing, attempting to lure the brāhmaṇa; the ascetic remains the still center as movement and music swirl around him.
FAQs
Distractions often come in pleasant forms; maintaining brahmacarya and inner discipline is the hallmark of true tapas.
No named tīrtha appears; the episode supports the Mahātmya-style message that holiness is intensified by tapas.
None stated; the verse describes an attempted seduction of an ascetic.