द्वितीयतृतीयावरणपूजाक्रमः | The Sequence of the Second and Third Enclosure Worship (Āvaraṇa-pūjā)
गजास्यं नैरृते पत्रे षण्मुखं वारुणे पुनः । ज्येष्ठां वायुदले गौरीमुत्तरे चंडमैश्वरे
gajāsyaṃ nairṛte patre ṣaṇmukhaṃ vāruṇe punaḥ | jyeṣṭhāṃ vāyudale gaurīmuttare caṃḍamaiśvare
நைர்ருத இதழில் கஜாஸ்யன் (விநாயகர்) மீது தியானம் செய்ய வேண்டும்; மீண்டும் வாருண (மேற்கு) இதழில் ஷண்முகன் (ஸ்கந்தன்) அருளை வழிபட வேண்டும். வாயவ்ய இதழில் ஜ்யேஷ்டா, வட இதழில் கௌரி, ஈசான (வடகிழக்கு) இதழில் சண்டமஹேஸ்வரனைப் பூஜிக்க வேண்டும்.
Suta Goswami
Tattva Level: pati
Shiva Form: Bhairava
Sthala Purana: Not a Jyotirliṅga episode; the verse is a nyāsa/āvaraṇa-style placement of deities in directional petals around the central Śiva-maṇḍala, typical of Vāyavīya ritual mapping.
Significance: Supports internal pilgrimage (antaryātrā): stabilizing the sādhaka’s maṇḍala by honoring Śiva’s family/gaṇa-śaktis in the quarters, removing obstacles and harmonizing energies before main worship.
Shakti Form: Gaurī
Role: nurturing
Offering: pushpa
The verse teaches a Shaiva dhyāna-krama (ordered contemplation) where Śiva’s worship is supported by placing attendant divine powers in specific directions/petals, expressing that the cosmos and its śaktis are harmonized around Pati (Śiva) for inner concentration and grace.
It aligns with Saguna upāsanā: while Śiva is the supreme Pati, the practitioner meditatively installs associated forms—Gaṇeśa, Skanda, Gaurī, and Caṇḍamaheśvara—around the sacred center (often the Liṅga/maṇḍala), making worship complete, protected, and ritually orthodox in Shaiva practice.
A petal/directional nyāsa and dhyāna: mentally place these deities in their respective quarters while worshipping Śiva, then proceed with mantra-japa (such as the Pañcākṣarī) and offerings; this stabilizes attention and invokes auspicious guardianship for the sādhana.