Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
विहस्य चाब्रवीत् प्रेम्णा साधु भो द्विजसत्तमौ ।
कथयामासतुस् तौ च पितरं पन्नगेश्वरम् ॥
vihasya cābravīt premṇā sādhu bho dvijasattamau | kathayāmāsatus tau ca pitaraṃ pannageśvaram ||
அவன் புன்னகையுடன் அன்போடு கூறினான்—“சாது, சாது, ஓ த்விஜச்ரேஷ்டா!” பின்னர் அந்த இருவரும் தங்கள் தந்தை, நாகங்களின் அதிபதி, பற்றிக் கூறினர்.
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Courtesy and affectionate speech establish trust across differences; the narrative models saṃvāda (civil dialogue) as the gateway to protection and knowledge.
Ākhyāna. Mentions of ‘father/lord’ can support vaṃśa-style structuring, but the verse is mainly interpersonal narrative.
Addressing others with elevated honorifics reflects the tantric/puranic idea that divinity can be encountered in unexpected forms; right speech (vāk-śuddhi) opens ‘doors’ in subtle realms.