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Shloka 49

प्रसाद-ज्ञान-योग-मोक्षक्रमः तथा व्यास-रुद्रावतार-मन्वन्तर-परम्परा

भल्लावी मधुपिङ्गश्च श्वेतकेतुस्तपोनिधिः उशिको बृहदश्वश् च देवलः कविरेव च

bhallāvī madhupiṅgaśca śvetaketustaponidhiḥ uśiko bṛhadaśvaś ca devalaḥ kavireva ca

பல்லாவீ, மதுபிங்க, தவநிதி ஸ்வேதகேது, உஷிக, ப்ருஹதஸ்வ, தேவல, கவி—இவர்கள் சைவ தரிசனத்தை காக்கும் புனித பரம்பரையின் முனிவர்கள்; தவம், நியமம் மூலம் பதி சிவனை உணர்த்துகின்றனர்।

भल्लावीBhallāvī (name of a sage)
भल्लावी:
मधुपिङ्गःMadhupiṅga (name of a sage)
मधुपिङ्गः:
and
:
श्वेतकेतुःŚvetaketu (name of a sage)
श्वेतकेतुः:
तपोनिधिःtreasury/ocean of austerity (epithet)
तपोनिधिः:
उशिकःUśika (name of a sage)
उशिकः:
बृहदश्वःBṛhadaśva (name of a sage)
बृहदश्वः:
and
:
देवलःDevala (name of a sage)
देवलः:
कविःKavi (seer/poet
कविः:
एवindeed/also
एव:
and
:

Suta Goswami

S
Shiva
B
Bhallāvī
M
Madhupiṅga
Ś
Śvetaketu
U
Uśika
B
Bṛhadaśva
D
Devala
K
Kavi

FAQs

It functions as a remembrance of the rishi-lineage that safeguards Shaiva teachings; in Linga worship, such lineage (paramparā) is treated as a living channel through which correct mantra, vidhi, and devotion reach the practitioner.

Indirectly, by highlighting tapas and realized sages: Shiva-tattva is approached as Pati (the Lord) known through purification and insight, with the pashu (individual soul) becoming fit to recognize Him as bondage (pāśa) is attenuated.

Tapas (austerity/discipline) is foregrounded through the epithet “taponidhi”; it aligns with Pāśupata-oriented purification—restraint, observance, and sustained practice supporting Shiva-bhakti and right worship.