Dharmānukathana
Narration of Dharma
तालकांस्यादिनिनदं कुर्वन् विष्णुगृहे नरः । सर्वपापविनिर्मुक्तो विष्णुलोकमवाप्नुयात् ॥ १४९ ॥
tālakāṃsyādininadaṃ kurvan viṣṇugṛhe naraḥ | sarvapāpavinirmukto viṣṇulokamavāpnuyāt || 149 ||
तालकांस्यादिनिनदं कुर्वन् विष्णुगृहे नरः। सर्वपापविनिर्मुक्तो विष्णुलोकमवाप्नुयात्॥
Sanatkumara (teaching Narada in the devotional-ritual context of Vishnu worship)
Vrata: none
Primary Rasa: bhakti (devotion)
Secondary Rasa: adbhuta (wonder)
It praises a simple act of temple-devotion—creating auspicious devotional sound in Viṣṇu’s shrine—as a purifier that removes sin and supports the soul’s ascent toward Viṣṇu’s realm.
Bhakti is shown as accessible and action-based: even assisting worship through sound (bells/cymbals during pūjā and ārati) becomes an offering to Viṣṇu, yielding purification and a devotional goal (Viṣṇuloka).
Ritual-practice (kalpa-oriented temple procedure) is implied: using auspicious instruments and regulated sound as part of pūjā/ārati in Viṣṇu-gṛha, emphasizing correct devotional observance rather than speculative theory.