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Varaha Purana 196.10 — Adhyaya 196, Shloka 10

Description of the City of Dharmarāja

Yama

स्वकर्मभिः प्रदृश्यन्ते स्थूलाः सूक्ष्माश्च जन्तवः ॥ मया दृष्टा द्विजश्रेष्ठास्तस्य राज्ञः पुरोत्तमे

sva-karmabhiḥ pradṛśyante sthūlāḥ sūkṣmāś ca jantavaḥ || mayā dṛṣṭā dvijaśreṣṭhās tasya rājñaḥ purottame

Существа — грубые и тонкие — видимы согласно собственным деяниям. О лучший из дважды-рождённых, я видел их в том превосходном городе царя.

sva-karmabhiḥby their own deeds
sva-karmabhiḥ:
Karaṇa (करण)
TypeNoun
Rootsva (प्रातिपदिक) + karman (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), तृतीया-विभक्ति (Instrumental/3rd), बहुवचन (Plural); तत्पुरुष: 'स्वैः कर्मभिः'
pradṛśyanteare seen / appear
pradṛśyante:
Kriyā (क्रिया)
TypeVerb
Rootpra+√dṛś (धातु)
Formलट्-लकार (Present), आत्मनेपद (Ātmanepada), प्रथम-पुरुष (3rd person), बहुवचन (Plural)
sthūlāḥgross / large
sthūlāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsthūla (प्रातिपदिक)
Formपुंलिङ्ग (m.), प्रथमा-विभक्ति (Nominative/1st), बहुवचन (Plural)
sūkṣmāḥsubtle / minute
sūkṣmāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsūkṣma (प्रातिपदिक)
Formपुंलिङ्ग (m.), प्रथमा-विभक्ति (Nominative/1st), बहुवचन (Plural)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
jantavaḥcreatures / beings
jantavaḥ:
Karta (कर्ता)
TypeNoun
Rootjantu (प्रातिपदिक)
Formपुंलिङ्ग (m.), प्रथमा-विभक्ति (Nominative/1st), बहुवचन (Plural)
mayāby me
mayā:
Karta (कर्ता)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
Formउत्तम-पुरुष-सर्वनाम (1st person pronoun), तृतीया-विभक्ति (Instrumental/3rd), एकवचन (Singular)
dṛṣṭāḥseen
dṛṣṭāḥ:
Kriyā (क्रिया)
TypeVerb
Rootdṛṣṭa (कृदन्त; √dṛś/दृश् → PPP)
Formकृदन्त-भूतकृत् (PPP) प्रयुक्तं कर्मणि; पुंलिङ्ग (m.), प्रथमा-विभक्ति (Nominative/1st), बहुवचन (Plural)
dvija-śreṣṭhāḥbest of the twice-born (brahmins)
dvija-śreṣṭhāḥ:
Karta (कर्ता)
TypeNoun
Rootdvija (प्रातिपदिक) + śreṣṭha (प्रातिपदिक)
Formपुंलिङ्ग (m.), प्रथमा-विभक्ति (Nominative/1st), बहुवचन (Plural); कर्मधारय: 'श्रेष्ठा द्विजाः'
tasyaof that / his
tasya:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग (m./n.), षष्ठी-विभक्ति (Genitive/6th), एकवचन (Singular)
rājñaḥof the king
rājñaḥ:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootrājan (प्रातिपदिक)
Formपुंलिङ्ग (m.), षष्ठी-विभक्ति (Genitive/6th), एकवचन (Singular)
pura-uttamein the best city
pura-uttame:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootpura (प्रातिपदिक) + uttama (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular); कर्मधारय: 'उत्तमे पुरे'

Varāha (default dialogue frame)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"philosophical anthropology","core_concept":"Embodiment varies by karma: beings manifest in gross and subtle modes according to their own actions.","practical_application":"Take responsibility for action; refine conduct and intention to shape future embodiment and experience."}

Subject Matter: ["Cosmology","Ethics"]

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: visionary city / subtle-perception setting

Related Themes: Varāha Purāṇa 196.9 (yathākarma experiences); Varāha Purāṇa 196.12 (contemplation of results)

Visual Art Cues: {"scene_description":"Varāha as narrator (not necessarily in boar form visually) addressing a ‘best of twice-born’ while pointing to a city where visible humans and translucent subtle beings coexist.","item_prompts":["teacher-figure gesturing","brahmin listener","city backdrop","semi-transparent subtle beings","contrast of gross vs subtle forms"],"kerala_mural_prompt":"Kerala mural: iconic instructor and dvija; layered city with stylized ‘aura’ figures for subtle beings; strong outlines.","tanjore_prompt":"Tanjore: gold halo effects to distinguish subtle beings; richly ornamented city; dignified teacher-disciple posture.","mysore_prompt":"Mysore: nuanced translucency for subtle forms; calm didactic mood; refined architecture.","pahari_prompt":"Pahari: gentle narrative scene; subtle beings as pale washes; intimate teacher-disciple exchange."}

Audio Atmosphere: {"recitation_mood":"didactic, steady","suggested_raga":"Yaman","pace":"medium","voice_tone":"measured, authoritative, clear articulation of key terms"}

C
Classical Literature
V
Vaishnavism
K
Karma Theory
P
Philosophical Anthropology

FAQs

It documents a layered ontology (gross/subtle) typical of classical Sanskrit thought, framed within karmic causality and eyewitness-style narration.

The “excellent city of the king” is mentioned but not named; it functions as a narrative setting.

Individuals encounter manifestations aligned with their own actions (svakarma), reinforcing moral causality.

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