Shloka 21
Kāma and Indra’s Attempt to Shatter Chastity; the ‘Abode of Satya’ and the Ethics of the Virtuous Home
पापलेशाश्च ये क्रूरा अन्ये पाखंडसंश्रयाः । ते तु बुद्ध्याऽहिताः सर्वे सत्यगेहं विशंति हि
pāpaleśāśca ye krūrā anye pākhaṃḍasaṃśrayāḥ | te tu buddhyā'hitāḥ sarve satyagehaṃ viśaṃti hi
Те, кто запятнан грехом, жестокие, и другие, ищущие прибежища в еретическом лицемерии, — все они, с разумом, обращённым к вредному, воистину входят в обитель Сатьи (Satya), Истины.
Unspecified (narrative voice within Bhūmi-khaṇḍa context; exact dialogue speaker not provided in the input)
Concept: Even the abode of Truth can be entered by the cruel and hypocritical when intellect turns toward harm; discernment (viveka) is essential.
Application: Do not equate proximity to sacred places/communities with purity; evaluate conduct, compassion, and sincerity. Keep one’s own practice transparent and non-performative.
Primary Rasa: raudra
Secondary Rasa: bhayanaka
Type: temple
Visual Art Cues: {"scene_description":"A luminous temple labeled 'Satya' stands with open doors, its inner sanctum glowing like a crystal lamp. Yet a procession of harsh-faced hypocrites—cloaked in pious garb—slips inside, their shadows stretching long, while a vigilant sage at the threshold raises a hand in warning.","primary_figures":["personified Satya (as a radiant presence)","pāṣaṇḍa-hypocrites","a vigilant sage/guardian"],"setting":"temple threshold with carved pillars, inner sanctum radiance, outer courtyard with mixed crowd","lighting_mood":"divine radiance inside contrasted with dusky, shadow-heavy courtyard","color_palette":["crystal white","lamp gold","ash gray","deep indigo","saffron orange"],"tanjore_prompt":"Tanjore painting style: Satya-temple with gold-leaf sanctum glow, ornate pillars and arch, hypocrites in elaborate but slightly distorted finery entering with long shadows, a sage-guardian with raised palm, rich reds/greens, gem-like highlights on the sanctum lamp and doorframe.","pahari_prompt":"Pahari miniature style: delicate temple architecture, refined facial expressions showing duplicity and concern, cool blues and soft saffrons, lyrical trees and distant hills, subtle symbolism—lotus petals near the threshold trampled by careless feet.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized figures with expressive eyes, Satya as a central radiant aura, hypocrites rendered in darker pigments, strong red/yellow/green palette, temple-wall composition with narrative bands.","pichwai_prompt":"Pichwai cloth painting style: central glowing sanctum framed by lotus and floral borders, peripheral figures entering in a circular procession, peacocks perched above watching, deep blue ground with gold highlights, intricate border text motifs suggesting 'satya' and 'dharma'."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","murmuring crowd","footsteps on stone","conch shell in distance","brief silence at 'satya'"]}
Sandhi Resolution Notes: पापलेशाः+च→पापलेशाश्च; बुद्ध्या+अहिताः→बुद्ध्याऽहिताः (अवग्रह); सत्यगेहम् (सत्य+गेहम्) समासरूपम्।
FAQs
The phrase refers to people who “take refuge” in pākhaṇḍa—i.e., hypocritical or deceptive religious conduct and heterodox pretenses—rather than sincere dharma.
Satya-geha literally means “the house/abode of Truth.” In Purāṇic usage it can signify a realm, state, or moral destination associated with Truth, contrasted with paths rooted in cruelty, sin, and hypocrisy.
It warns that cruelty, sin-taint, and hypocritical religiosity stem from a misguided intellect (buddhi turned toward ahita) and highlights the centrality of Satya (Truth) as the proper moral and spiritual orientation.