Agni Purana — Agneya-vidya, Shloka 9

Explanation of the Vāsudeva and Related Mantras (वासुदेवादिमन्त्रनिरूपणम्)

Devanagari script

व्यञ्जनानां क्रमो ह्य् एष हृदयादिप्रकॢप्तये स्ववीजेन स्वनामान्तैर् विभक्तान्यङ्गनामभिः

Transliteration

vyañjanānāṃ kramo hy eṣa hṛdayādiprakḷptaye svavījena svanāmāntair vibhaktānyaṅganāmabhiḥ

Translation

Таков, воистину, порядок согласных, установленный для расположения ньясы (nyāsa), начиная с «Сердца» и прочих мест; каждое делится по своему бīja (семенному слогу) и по собственным именным окончаниям, вместе с названиями телесных членов (aṅga).

Word by Word

• व्यञ्जनानाम्: of the consonants
• व्यञ्जनानाम्: सम्बन्ध (षष्ठी/Genitive relation)
• Type: Noun
• Root: व्यञ्जन (प्रातिपदिक)
• Form: नपुंसकलिङ्ग; षष्ठी-विभक्ति (Genitive/षष्ठी); बहुवचन

• क्रमः: sequence, order
• क्रमः: कर्ता (Subject/कर्ता)
• Type: Noun
• Root: क्रम (प्रातिपदिक)
• Form: पुंलिङ्ग; प्रथमा-विभक्ति (Nominative/प्रथमा); एकवचन

• हि: indeed
• हि: सम्बन्ध/वाक्यालङ्कार (discourse particle)
• Type: Indeclinable
• Root: हि (अव्यय)
• Form: निपात (particle/emphasis)

• एषः: this
• एषः: कर्ता (Subject/कर्ता)
• Type: Noun
• Root: एतद् (सर्वनाम-प्रातिपदिक)
• Form: पुंलिङ्ग; प्रथमा-विभक्ति (Nominative); एकवचन; सर्वनाम

• हृदयादि-प्रकॢप्तये: for the arrangement of (the) heart etc.
• हृदयादि-प्रकॢप्तये: सम्प्रदान (Dative goal/सम्प्रदान)
• Type: Noun
• Root: हृदय (प्रातिपदिक) + आदि (प्रातिपदिक) + प्रकॢप्ति (प्रातिपदिक)
• Form: स्त्रीलिङ्ग; चतुर्थी-विभक्ति (Dative/चतुर्थी); एकवचन; समासः—हृदयादीनां प्रकॢप्तिः (for the arrangement/formation of heart etc.)

• स्व-वीजेन: with (its) own seed (syllable)
• स्व-वीजेन: करण (Instrument/करण)
• Type: Noun
• Root: स्व (प्रातिपदिक) + वीज (प्रातिपदिक)
• Form: नपुंसकलिङ्ग; तृतीया-विभक्ति (Instrumental/तृतीया); एकवचन; समासः—स्वं वीजम् (with one’s own seed-syllable)

• स्व-नाम-अन्तैः: by/with (forms) ending in their own names
• स्व-नाम-अन्तैः: करण (Instrument/करण)
• Type: Adjective
• Root: स्व (प्रातिपदिक) + नामन् (प्रातिपदिक) + अन्त (प्रातिपदिक)
• Form: पुंलिङ्ग; तृतीया-विभक्ति (Instrumental); बहुवचन; समासः—स्वनाम्नः अन्ताः (ending with their own names)

• विभक्तानि: divided, apportioned
• विभक्तानि: कर्म (Object/कर्म)
• Type: Adjective
• Root: वि-भज् (धातु) → विभक्त (कृदन्त, क्त-प्रत्यय)
• Form: भूतकर्मणि कृदन्त (past passive participle); नपुंसकलिङ्ग; प्रथमा/द्वितीया-विभक्ति (Nom./Acc.); बहुवचन

• अङ्ग-नामभिः: by the limb-names
• अङ्ग-नामभिः: करण (Instrument/करण)
• Type: Noun
• Root: अङ्ग (प्रातिपदिक) + नामन् (प्रातिपदिक)
• Form: नपुंसकलिङ्ग; तृतीया-विभक्ति (Instrumental); बहुवचन; समासः—अङ्गानां नामानि (by the names of the limbs)

Speaker

Lord Agni

Vidya Category

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Vyakarana","practical_application":"Mapping consonant-series (vyañjana-krama) onto bodily loci for mātṛkā/bīja-nyāsa in mantra-sādhana, ensuring correct limb-assignment and name-endings during installation.","sutra_style":true}

Encyclopedic Reference

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Vyañjana-krama for Hṛdayādi Mātṛkā-nyāsa","lookup_keywords":["vyañjana-krama","mātṛkā-nyāsa","hṛdayādi","bīja","aṅga-nāma"],"quick_summary":"Defines the ordered consonant-sequence used for body-installation beginning at the heart and other loci, with each group differentiated by its own bīja and limb-name endings."}

Philosophical Teaching

Concept: Śabda (letters) as śakti-bearers installed into the body through ordered nyāsa.

Application: Maintain strict phonetic order and correct bīja/name-endings while performing aṅga-nyāsa to stabilize mantra-śakti.

Khanda Section

Khanda Section: Vyakarana / Matrika-nyasa (Tantric phonetics and body-installation of letters)

Verse Rasa

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues

Visual Art Cues: {"scene_description":"A yogin-priest visualizes the Sanskrit consonant-garland in strict order, placing seed-syllables onto heart and subsequent body-loci, with limb-names annotated like a ritual diagram.","kerala_mural_prompt":"Kerala temple mural style, ochre-red background, a seated sādhaka with palm-leaf manuscript, luminous akṣara-garland floating, subtle body-loci marks at heart/head, ritual purity aesthetic, flat yet expressive forms","tanjore_prompt":"Tanjore painting, central sādhaka before a yantra-like akṣara wheel, gold-leaf highlights on bīja syllables, ornate borders, clear labels for hṛdaya and other loci","mysore_prompt":"Mysore painting style, instructional diagram feel: human figure with numbered loci, consonant-series written in Devanagari around, delicate linework and pastel washes","mughal_miniature_prompt":"Mughal miniature, scholar-sādhaka in a study, manuscript open showing consonant order, assistants pointing to a body-map chart, fine detailing and calligraphy emphasis"}

Audio Atmosphere

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes

Sandhi Resolution Notes: ह्य् एष = हि + एषः; स्वनामान्तैर् = स्वनामान्तैः; विभक्तान्यङ्गनामभिः = विभक्तानि + अङ्गनामभिः; हृदयादिप्रकॢप्तये is a tatpuruṣa compound.

Cross References

Related Themes: Agni Purana 25 (Mātṛkā-nyāsa context); Agni Purana 25.11-25.12 (ṣaḍaṅga/dvādaśāṅga placements)

Characters & Entities

• Agni
• Matrika (letters)
• Bija (seed-syllable)
• Hridaya (heart)
• Nyasa (ritual placement)

FAQs

What technical or ritual knowledge (Vidya) is imparted in this verse?

It teaches the technical framework for arranging consonants in hṛdayādi-aṅga nyāsa: letters are assigned in a defined order, each linked with its bīja and the appropriate limb-names for ritual placement on the body.

How does this verse contribute to the 'Encyclopedic' nature of the Agni Purana?

Beyond narrative theology, it preserves applied mantra-śāstra: phonetic ordering (vyañjana-krama), bīja theory, and embodied ritual practice (nyāsa), showing the Purana’s coverage of technical tantric-liturgy alongside other sciences.

What is the spiritual or karmic significance of this specific instruction?

Nyāsa sacralizes the practitioner’s body as a mantra-seat; correct placement of letters and bījas is held to purify the limbs, stabilize concentration, and make worship/mantra-japa more efficacious.