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Agni Purana — Mantra-shastra, Shloka 10

Chapter 305 — Narasiṃha and Related Mantras (नारसिंहादिमन्त्राः)

नेमिः श्वेता वहिः कृष्णवर्णरेखा च पार्थिवी मध्येतरेमरे वर्णानेवं चक्रद्वयं लिखेत्

nemiḥ śvetā vahiḥ kṛṣṇavarṇarekhā ca pārthivī madhyetaremare varṇānevaṃ cakradvayaṃ likhet

ਨੇਮੀ (ਪਰਿਧੀ) ਚਿੱਟੀ ਹੋਵੇ; ਬਾਹਰ ਪਾਰਥਿਵ ਸੁਭਾਵ ਵਾਲੀ ਕਾਲੇ ਰੰਗ ਦੀ ਰੇਖਾ ਹੋਵੇ। ਵਿਚਲੇ ਹੋਰ ਘੇਰੇ ਵਿੱਚ ਵੀ ਕ੍ਰਮ ਅਨੁਸਾਰ ਰੰਗ ਭਰ ਕੇ—ਇਸ ਤਰ੍ਹਾਂ ਚਕ੍ਰ-ਦ੍ਵਯ ਬਣਾਓ।

नेमिःrim (of the wheel)
नेमिः:
विशेष्य (Viśeṣya/Described entity)
TypeNoun
Rootनेमि (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
श्वेताwhite
श्वेता:
विशेषण (Viśeṣaṇa/Qualifier)
TypeAdjective
Rootश्वेत (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
बहिःoutside
बहिः:
सम्बन्ध/क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootबहिः (अव्यय)
Formअव्यय, क्रियाविशेषण (adverb)
कृष्ण-वर्ण-रेखाa black-colored line
कृष्ण-वर्ण-रेखा:
विशेष्य (Viśeṣya/Described entity)
TypeNoun
Rootकृष्ण + वर्ण + रेखा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; तत्पुरुषः (‘line of black color’)
and
:
सम्बन्ध/समुच्चय (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय (conjunction)
पार्थिवीearth-colored/earthen
पार्थिवी:
विशेषण (Viśeṣaṇa/Qualifier)
TypeAdjective
Rootपार्थिवी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; ‘earthy/earthen’
मध्येin the middle
मध्ये:
अधिकरण (Adhikaraṇa/Locative)
TypeIndeclinable
Rootमध्य (प्रातिपदिक)
Formअव्ययीभाव-निभम्, सप्तमी-एकवचन-रूपेण अव्ययवत् (locative used adverbially)
तरेin the other (ring)
तरे:
अधिकरण (Adhikaraṇa/Locative)
TypeAdjective
Rootतर (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन (contextual: ‘in the other/next [circle]’)
मरेin ‘mara’ (unclear term)
मरे:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Rootमर (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन (reading per given text; sense uncertain)
वर्णान्colors/letters
वर्णान्:
कर्म (Karma/Object)
TypeNoun
Rootवर्ण (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), बहुवचन
एवम्thus
एवम्:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय, प्रकारवाचक (manner adverb)
चक्र-द्वयम्the two circles (double wheel)
चक्र-द्वयम्:
कर्म (Karma/Object)
TypeNoun
Rootचक्र + द्वय (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; द्विगु-समासः (‘pair of wheels/two circles’)
लिखेत्should draw/inscribe
लिखेत्:
क्रिया (Kriyā/Verb)
TypeVerb
Root√लिख् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन

Lord Agni (in instruction mode, narrating Agni Purana’s technical procedure to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Tantra","practical_application":"Yantra/maṇḍala drafting: apply prescribed color-coding to concentric wheel-diagrams for ritual installation, protection, and homa targeting.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Cakra-yantra Lekhana: Color Rules for Rim, Outer Line, and Middle Zone (Dvi-cakra)","lookup_keywords":["yantra","mandala","cakra-lekhana","nemi","varna"],"quick_summary":"Draw two wheel-diagrams with specific color assignments: a white rim, an outer black line of ‘earthy’ character, and appropriately colored middle/inner zones as prescribed."}

Concept: Ritual geometry and color as carriers of meaning (bhū-tattva/varṇa correspondence) in applied sacred design.

Application: Follow color prescriptions to avoid ‘doṣa’ in yantra construction; use stable pigments and clear concentric boundaries for legibility and ritual correctness.

Khanda Section: Vāstu-śāstra / Yantra–Maṇḍala–Cakra-lekhana (Ritual diagrams and iconographic drawing rules)

Primary Rasa: adbhuta

Secondary Rasa: śānta

Visual Art Cues: {"scene_description":"An artisan-priest draws two concentric wheel-yantras: a white rim, a black outer line, and a colored middle ring, using compass-like tools and pigment bowls.","kerala_mural_prompt":"Kerala mural, top-down view of yantra drawing on floor, bold white rim and black outer line, earthy pigments, priest with stylus, ritual lamps nearby, decorative borders","tanjore_prompt":"Tanjore, ornate framed yantra with gold accents around the wheel, strong white rim, black outer band, rich pigments in middle ring, ritual implements placed symmetrically","mysore_prompt":"Mysore style, technical drafting scene: clear concentric circles, labeled zones by color, priest-artist kneeling with measuring cord, pigment pots, clean instructional composition","mughal_miniature_prompt":"Mughal miniature, atelier-like setting, fine brushes and pigments, precise concentric wheel diagrams, white rim and black line emphasized, attendants holding palettes"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: कृष्णवर्णरेखा → कृष्ण-वर्ण-रेखा; वर्णानेवं → वर्णान् एवम्. ‘मध्येतरेमरे’ is taken as मध्ये तरे मरे (textual segmentation uncertain; may reflect a corrupt/variant reading).

Related Themes: Agni Purana 305 (cakra-yantra construction and subsequent homa placement)

A
Agni Purana
C
Cakra
N
Nemi

FAQs

It teaches color-coding and layout rules for drawing a ritual/architectural chakra-yantra: a white rim, an outer black line, and an earth-toned band, forming two concentric wheel-diagrams.

Beyond myth and devotion, it preserves practical technical standards—diagram construction, materials/elemental color conventions, and precise drafting instructions used in Vāstu, temple-ritual layouts, and yantra/maṇḍala traditions.

Correctly drawn and color-consecrated diagrams are traditionally held to make a rite effective and orderly, aligning the ritual space with elemental principles (earth/black/white) and thereby supporting purity, focus, and intended merit (puṇya).