The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
वह्निसूर्येन्दुभूताह्वा तथात्माष्टाक्षराह्वया । पंचधार्यास्वरूपा च नानाव्रतसमाह्वया ॥ ६८ ॥
vahnisūryendubhūtāhvā tathātmāṣṭākṣarāhvayā | paṃcadhāryāsvarūpā ca nānāvratasamāhvayā || 68 ||
ସେ ଅଗ୍ନି, ସୂର୍ଯ୍ୟ, ଚନ୍ଦ୍ର ଓ ଭୂତତତ୍ତ୍ୱର ନାମରେ ଅଭିହିତ; ତଥା ‘ଆତ୍ମା’ ଓ ଅଷ୍ଟାକ୍ଷର ମନ୍ତ୍ର ନାମରେ ମଧ୍ୟ ପ୍ରସିଦ୍ଧ। ସେ ‘ପଞ୍ଚଧାର୍ୟ’ ସ୍ୱରୂପା ଏବଂ ବିଭିନ୍ନ ବ୍ରତାନୁସାରେ ନାନା ନାମରେ କଥିତ।
Narada (teaching within a Vedanga/vrata-technical context; dialogue lineage attributed to Narada’s instruction tradition with the Sanatkumara stream in this section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It explains that a single religious discipline (vrata/observance) can be understood and invoked through multiple sacred designations—cosmic powers (fire, sun, moon, elements), inner reality (Ātman), and mantra-identity (the aṣṭākṣara)—showing a unified sacred framework behind diverse practices.
By highlighting the aṣṭākṣara (commonly ‘oṃ namo nārāyaṇāya’) as a defining name, it points to mantra-centered devotion to Nārāyaṇa as a core way vratas become acts of bhakti rather than mere ritual performance.
The verse reflects technical categorization and nomenclature—how observances are named and grouped (e.g., pañca-dhārya, nānā-vrata)—a practical, śāstra-like method typical of Vedanga-adjacent sections that systematize ritual disciplines and their mantra associations.