The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
यदेकादशमाधारं बीजं कोणत्रयोद्भवम् । ब्रह्यांडादिकटाहांतं जगदद्यापि दृश्यते ॥ १५ ॥
yadekādaśamādhāraṃ bījaṃ koṇatrayodbhavam | brahyāṃḍādikaṭāhāṃtaṃ jagadadyāpi dṛśyate || 15 ||
ଆଜି ମଧ୍ୟ ଏହି ଜଗତ୍ ସେଇ ବୀଜତତ୍ତ୍ୱରୂପେ ଦୃଶ୍ୟ—ଯାହା ଏକାଦଶ ଆଧାରରେ ନିହିତ, ତ୍ରିକୋଣ-ତ୍ରୟରୁ ଉଦ୍ଭୂତ, ଏବଂ ବ୍ରହ୍ମାଣ୍ଡ-କଟାହର ଅନ୍ତ ପର୍ଯ୍ୟନ୍ତ ବିସ୍ତୃତ।
Narada (in dialogue context with Sanatkumara tradition; verse presented as technical-cosmological description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames the cosmos as a visible expression of a subtle causal “seed” (bīja) governed by ordered supports (ādhāras) and sacred geometry (triangular triad), emphasizing that creation is structured, intelligible, and rooted in a higher principle.
By presenting the universe as an ordered manifestation of a single causal source, it supports Bhakti’s contemplative stance: the devotee reveres the divine intelligence behind cosmic form, using such cosmological insight to deepen remembrance and surrender.
The verse reflects technical doctrine used in mantra/yantra frameworks—bīja (seed-syllable principle), ādhāra (support/locus), and trikona (triangle) symbolism—concepts often applied in ritual visualization and structured recitation practices.