The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
स्त्रीहुंकारी क्षेमकारी चतुरक्षररूपिणी । श्रीविद्यामतवर्णांगी काली याम्या नृपार्णका ॥ १०२ ॥
strīhuṃkārī kṣemakārī caturakṣararūpiṇī | śrīvidyāmatavarṇāṃgī kālī yāmyā nṛpārṇakā || 102 ||
ସେ ସ୍ତ୍ରୀରୂପ ‘ହୁଂକାରୀ’ ଶକ୍ତି; କ୍ଷେମକାରିଣୀ (ରକ୍ଷା-ମଙ୍ଗଳଦାୟିନୀ); ଏବଂ ଚତୁରକ୍ଷର ମନ୍ତ୍ରସ୍ୱରୂପିଣୀ। ସେ ଶ୍ରୀବିଦ୍ୟା-ସ୍ୱଭାବା, ବର୍ଣ୍ଣମୟ ଅଙ୍ଗଯୁକ୍ତା; ସେ ‘କାଳୀ’, ‘ୟାମ୍ୟା’ ଓ ‘ନୃପାର୍ଣ୍ଣକା’ ନାମରେ ମଧ୍ୟ ପରିଚିତ।
Narada (within a didactic listing of mantra-devatā names/tantric-phonetic epithets; dialogue traditionally framed with Sanatkumāra)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It presents the Devī as mantra itself—identified with huṃkāra and with a four-syllabled mantric form—teaching that spiritual power is accessed through precise sacred sound (akṣara/varṇa) and its devatā-consciousness.
Bhakti here is expressed as mantra-upāsanā: devotion is not only emotional praise but disciplined remembrance and recitation of the Devī’s names and seed-sounds, recognizing her as the protective, welfare-giving presence (kṣemakārī).
Śikṣā and Vyākaraṇa are implied through the focus on akṣaras/varṇas (letters/phonemes) and their correct mantric identity—showing how sound-units are treated as meaningful, power-bearing components in ritual recitation.