Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
एषा नवाक्षरी नित्या भेरुण्डा सर्वसिद्धिदा । प्रणवं ठद्वयं त्यक्त्वा मध्यस्थैः षड्भिरक्षरैः ॥ ९० ॥
eṣā navākṣarī nityā bheruṇḍā sarvasiddhidā | praṇavaṃ ṭhadvayaṃ tyaktvā madhyasthaiḥ ṣaḍbhirakṣaraiḥ || 90 ||
ଏହା ନିତ୍ୟ ନବାକ୍ଷରୀ ମନ୍ତ୍ର, ‘ଭେରୁଣ୍ଡା’ ନାମରେ ପ୍ରସିଦ୍ଧ, ସର୍ବସିଦ୍ଧିଦାୟିନୀ। ପ୍ରଣବ ‘ଓଁ’ ଓ ‘ଠ’ର ଦ୍ୱୟ ତ୍ୟାଗ କରି, ମଧ୍ୟସ୍ଥ ଛଅ ଅକ୍ଷରରେ ମନ୍ତ୍ର ବିନ୍ୟାସ କର।
Sanatkumara (teaching Narada in a technical/mantra-vidya context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It highlights mantra-śāstra principles: the power of a specific navākṣarī mantra (Bheruṇḍā) and how siddhi is linked to precise akṣara (syllable) arrangement and recitation rules.
Indirectly: it frames disciplined mantra-japa as a supporting limb to devotion—showing that bhakti-oriented practice in the Purāṇic tradition often includes exact, reverent handling of sacred sound.
Śikṣā (phonetics) and related mantra-formation rules: identifying syllable counts (navākṣarī), specifying omissions (praṇava, ṭhadvaya), and emphasizing correct akṣara placement for effective japa.