Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
ताराद्यानथ शेषार्णान्मस्तके च ललाटके । भ्रुवोः श्रुत्योस्तथैवाक्ष्णोर्नसि वक्त्रे गलेंऽसके ॥ १५ ॥
tārādyānatha śeṣārṇānmastake ca lalāṭake | bhruvoḥ śrutyostathaivākṣṇornasi vaktre galeṃ'sake || 15 ||
ତାପରେ ‘ତାରା’ ଅକ୍ଷରରୁ ଆରମ୍ଭ କରି, ପରେ ଶେଷ ଅକ୍ଷରମାନଙ୍କର ନ୍ୟାସ—ମସ୍ତକ ଓ ଲଲାଟରେ; ଏବଂ ଭୃକୁଟିରେ, କର୍ଣ୍ଣରେ, ଚକ୍ଷୁରେ, ନାସିକାରେ, ମୁଖରେ, ତଥା କଣ୍ଠ ଓ ଅଂସପ୍ରଦେଶରେ କରିବ।
Narada (instructional narration within Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It describes a disciplined, body-based placement of sacred syllables (a nyāsa-like method), treating the body as a ritual field so mantra-sound is internalized and made contemplative rather than merely recited.
By prescribing reverent placement of mantra-syllables on the limbs, it supports focused remembrance and sanctification of the practitioner’s senses—an aid to steady devotion through embodied attention.
It reflects Śikṣā (phonetics/recitation discipline) and mantra-procedure: the ordered use of varṇas (phonemes) and their ritual application (nyāsa) for correct, effective practice.