The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
कोटिपूर्णेन्दुवर्णं च सुमुखं त्र् यक्षिवीक्षणम् । पीतवस्त्रोरुभूषाढ्यं नृसिहं शान्तविग्रहम् । चक्रशङ्खाभयवरान्दधतं करपल्लवैः ॥ ७० ॥
koṭipūrṇenduvarṇaṃ ca sumukhaṃ tr yakṣivīkṣaṇam | pītavastrorubhūṣāḍhyaṃ nṛsihaṃ śāntavigraham | cakraśaṅkhābhayavarāndadhataṃ karapallavaiḥ || 70 ||
କୋଟି ପୂର୍ଣ୍ଣଚନ୍ଦ୍ର ସଦୃଶ କାନ୍ତିବର୍ଣ୍ଣ, ସୁମୁଖ ଓ ତ୍ରିନେତ୍ରଦୃଷ୍ଟିଯୁକ୍ତ, ପୀତାମ୍ବରଧାରୀ, ଦିବ୍ୟ ଭୂଷଣରେ ସମୃଦ୍ଧ, ଶାନ୍ତବିଗ୍ରହ ଭଗବାନ ନୃସିଂହଙ୍କୁ ଧ୍ୟାନ କର। ତାଙ୍କ କୋମଳ ପଦ୍ମକରରେ ଚକ୍ର, ଶଙ୍ଖ, ଅଭୟ ଓ ବରଦ ମୁଦ୍ରା ଶୋଭିତ।
Narada (teaching a dhyāna/visualization of Narasiṃha within the instructional flow)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It gives a precise dhyāna-lakṣaṇa (meditative iconography) of Narasiṃha—fixing the mind on his luminous, serene form and divine attributes so devotion becomes steady and fear is pacified.
Bhakti is expressed through contemplative remembrance (smaraṇa/dhyāna): visualizing the Lord’s beauty, peace, and protecting gestures (abhaya) deepens surrender and trust in Vishnu as Narasiṃha.
It reflects applied śāstra-prayoga—using standardized dhyāna descriptors (form, color, weapons, mudrās) for correct ritual/meditation practice, aligning iconographic precision with mantra-upāsanā.