The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
त्रैलोक्याक्रमणान्ते तु पादशालिक ईरयेत् । रामत्रय ततो विष्णुरूपान्ते धर एव च ॥ १९१ ॥
trailokyākramaṇānte tu pādaśālika īrayet | rāmatraya tato viṣṇurūpānte dhara eva ca || 191 ||
“ତ୍ରୈଲୋକ୍ୟାକ୍ରମଣ”ର ଶେଷରେ “ପାଦଶାଲିକ” ଶବ୍ଦ ଉଚ୍ଚାରଣ କର। ପରେ “ରାମତ୍ରୟ” ସୂଚନା ପରେ, ଏବଂ “ବିଷ୍ଣୁରୂପ”ର ଶେଷରେ ମଧ୍ୟ “ଧର” ଶବ୍ଦ କହ।
Sanatkumara (teaching Narada in a technical Vedāṅga context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It emphasizes that sacred recitation is not casual: specific concluding markers and counts are prescribed, reflecting the Purāṇic view that precision in śabda (sound) safeguards the intended sacred effect.
Bhakti here is expressed as careful honoring of Viṣṇu-linked recitational forms—devotion includes disciplined chanting where even endings and markers are treated as offerings.
It highlights a technical, Vedāṅga-like practice (close to Chandas/Śikṣā): using named units and spoken markers to structure correct recitation and segmentation.