Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
नामौ लिंगे पदे न्यस्याखिलेन व्यापकं चरेत् । उद्यदर्कद्युतिं हस्तैः पाशांकुशवराभयान् ॥ ६७ ॥
nāmau liṃge pade nyasyākhilena vyāpakaṃ caret | udyadarkadyutiṃ hastaiḥ pāśāṃkuśavarābhayān || 67 ||
ଲିଙ୍ଗ ଓ ପଦଦ୍ୱୟରେ ଦୁଇ ନାମର ନ୍ୟାସ ସ୍ଥାପନ କରି, ପରେ ସର୍ବବ୍ୟାପୀ ଧ୍ୟାନ ଅଭ୍ୟାସ କରିବ। ଉଦୟ ସୂର୍ଯ୍ୟ ସମ ଦ୍ୟୁତିମାନ ଦେବଙ୍କୁ ଧ୍ୟାନ କରିବ—ହସ୍ତେ ପାଶ, ଅଙ୍କୁଶ, ବରମୁଦ୍ରା ଓ ଅଭୟମୁଦ୍ରା ଧାରଣ କରିଥିବା।
Narada (teaching in a technical/ritual context; dialogue traditionally framed with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links outer ritual precision (nyāsa on emblem/feet) with inner realization by shifting the practitioner into vyāpaka-dhyāna—contemplating the deity as all-pervading, radiant consciousness.
Bhakti here is expressed as disciplined upāsanā: the devotee sanctifies the body/ritual space through nyāsa and then fixes loving attention on the deity’s luminous form and protective, grace-giving gestures.
It highlights mantra-vidhi and nyāsa (a technical ritual application often aligned with Śikṣā/Vyākaraṇa precision in mantra handling) along with dhyāna-lakṣaṇa—standardized visualization markers used in formal worship.