अनेकविद्यानिलयः कलाकौशलभाजनम् । कौमारं वय आसाद्य शिवभक्तिपरोभवत्
anekavidyānilayaḥ kalākauśalabhājanam | kaumāraṃ vaya āsādya śivabhaktiparobhavat
သူသည် ပညာရပ်မျိုးစုံ၏ အိမ်ရာတော်ဖြစ်၍ အနုပညာကျွမ်းကျင်မှု၏ အိုးအိမ်လည်း ဖြစ်သည်; ယောဝနအရွယ်သို့ ရောက်သော် သီဝဘက္တိ၌ အပြည့်အဝ အလုံးစုံ ဆည်းကပ်လျက် ဖြစ်လာ하였다။
Skanda (deduced; Kāśīkhaṇḍa context, typically Skanda speaking to Agastya)
Tirtha: Kāśī
Type: kshetra
Scene: Parimalālaya as a radiant youth surrounded by manuscripts, instruments, and artistic tools, then turning toward a Śiva-liṅga in reverence.
Learning and artistry are elevated when oriented toward devotion—here, single-pointed Śiva-bhakti.
The immediate verse focuses on the devotee’s formation; the broader adhyāya frames this within Kāśī’s Śaiva mahātmya.
No explicit rite is stated; it establishes a devotional disposition as the foundation for later vows and worship.